Actor Josh Radnor makes his debut as a writer and director with this independent comedy-drama in which a handful of people riding the gap between their late twenties and early thirties navigate the sometimes tricky path of adulthood in New York City. Sam (Radnor) is a struggling writer who has trouble with long-term relationships; one day while on the subway, he meets Rasheen (Michael Algieri), a young boy who has been abandoned by his parents. Sam takes the boy in, which gives him a preview of parenthood but also proves to be more complicated than he expected. Sam is infatuated with Mississippi (Kate Mara), a bartender with a dream of making it a musician; tired of one night stands, she agrees to move in with Sam for a few days to see how she feels about a “real” relationship, but Rasheen’s presence makes things awkward. Another of Sam’s sometime girlfriends is Annie (Malin Akerman), who suffers from a rare medical condition that prevents her from having any hair. Through she’s beautiful, Annie’s lack of hair has caused her to have a dire self-image and she jumps from one relationship to another with a handful of men, some of whom treat her poorly. And Mary Catherine (Zoe Kazan) and Charlie (Pablo Schreiber) are a couple whose relationship is teetering on the brink as he considers a lucrative job offer in Los Angeles while she refuses to budge. Happythankyoumoreplease received its world premiere at the 2010 Sundance Film Festival, where it received the audience award for best dramatic feature. – Mark Deming, Rovi (Source)
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Follows a young New York couple who, after four years together, have grown stifled. Desperate to escape their ennui, but fearful of life apart, they decide to intricately strategize their own break up. Daryl and Zoe create a maze of rules and boundaries, hoping they can avoid the pain of separation by slowly weaning themselves off of each other. Setting days on which they can speak and days on which they can’t, the two twenty-somethings are forced to confront their already embedded fears of self government.Their experiment becomes an exploration of independence within the confines of a relationship–monogamous or poly-amorous. (
A doctor stops at an inn in North Carolina while traveling to reconcile with his estranged son. At the beach town, the doctor has a life-changing romance with an unhappily married woman. (
Vicky and Cristina, these two young Americans spend a summer in Spain and meet a flamboyant artist and his beautiful but insane ex-wife. Vicky is straight-laced and about to be married. Cristina is a sexually adventurous free spirit. When they all become amorously entangled, both comedic and harrowing results ensue. (
A doctor stops at an inn in North Carolina while traveling to reconcile with his estranged son. At the beach town, the doctor has a life-changing romance with an unhappily married woman. (
Public Radio investigative reporter Isaac Knott just happens to be confined to a wheel chair. In the course of doing a story about disability wanna-be’s, Isaac traverses a surreal world of fetishism and transgressive eroticism that recalls the unique perspectives of Luis Bunuel and Alfred Hitchcock. In the course of Isaac’s investigation, he finds Fiona–or she finds him–and she offers him a window into a dark place that exists somewhere between reality and dreams. Her life’s aspiration is to be crippled, or at least perceived as such. She’s beautiful and successful, yet she longs to be physically destroyed to regain some spiritual transcendence in her life. Her complexity, along with her erotic compulsions, prove irresistible to Isaac. Isaac is drawn to Fiona’s dark side because somewhere in the strata of her perversion lies an underlying truth about himself. He is confined to a wheelchair because of an accident. What can he possibly learn about himself from Fiona’s desire to be like him? The answer of course is everything. (