Jack McCall is a fast-talking literary agent who can close any deal, any time, any way. He has set his sights on New Age guru Dr. Sinja for his own selfish purposes. But Dr. Sinja is on to him, and Jack’s life comes unglued after a magical Bodhi tree mysteriously appears in his backyard. With every word Jack speaks, a leaf falls from the tree and he realizes that when the last leaf falls, both he and the tree are toast. Words have never failed Jack McCall, but now he’s got to stop talking and conjure up some outrageous ways to communicate or he’s a goner. (Source)
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In 1976, after years of mysterious absence, Marcus returns to the Philadelphia neighborhood where he came of age in the midst of the Black Power movement. While his arrival raises suspicion among his family and former neighbors, he finds acceptance from his old friend Patricia and her daughter. However, Marcus quickly finds himself at odds with the organization he once embraced, whose members suspect he orchestrated the slaying of their former comrade-in-arms. In a startling sequence of events, Marcus must protect a secret that could shatter everyone's beliefs as he rediscovers his forbidden passion for Patricia. (
In 1974, Ntozake Shange’s choreopoem “For Colored Girls Who Have Considered Suicide When The Rainbow Is Enuf” made its stage debut, combining poetry, dance and music, and most significantly, placing the black female experience center stage. In lyrical, honest, angry, funny and tender language, Shange’s “colored girls” evoked the feelings woven into the fabric of black female life in America. Within two years, the play became a Broadway sensation, won an Obie and Tony Award, and would eventually be produced in regional theaters throughout the country. Now, thirty six years later, filmmaker Tyler Perry adapts this landmark work for the big screen, integrating the vivid language of Shange’s poems into a contemporary narrative that explores what it means to be a woman of color – and a woman of any color – in this world. (
n 1976, after years of mysterious absence, Marcus (Anthony Mackie, “The Hurt Locker”) returns to the Philadelphia neighborhood where he came of age in the midst of the Black Power movement. While his arrival raises suspicion among his family and former neighbors, he finds acceptance from his old friend Patricia (Kerry Washington, “Ray,” “Lift”) and her daughter. However, Marcus quickly finds himself at odds with the organization he once embraced, whose members suspect he orchestrated the slaying of their former comrade-in-arms. In a startling sequence of events, Marcus must protect a secret that could shatter everyone’s beliefs as he rediscovers his forbidden passion for Patricia. (
Three women’s lives share a common core: they have all been profoundly affected by adoption. KAREN (Annette Bening) had a baby at 14, gave her up at birth, and has been haunted ever since by the daughter she never knew. ELIZABETH (Naomi Watts) grew up as an adopted child; she’s a bright and ambitious lawyer, but a flinty loner in her personal life. LUCY (Kerry Washington) is just embarking with her husband on the adoption odyssey, looking for a baby to become their own. (
Three women’s lives share a common core: they have all been profoundly affected by adoption. Karen had a baby at 14, gave her up at birth, and has been haunted ever since by the daughter she never knew. Elizabeth grew up as an adopted child; she’s a bright and ambitious lawyer, but a flinty loner in her personal life. Lucy is just embarking with her husband on the adoption odyssey, looking for a baby to become their own. (
The gritty, hard realities of a neighborhood, as well as the struggling, proud people who try to survive them everyday. Marybeth is a pre-op transsexual working as a prostitute and living with her lover, Benny, a small time burglar. In spite of their lines of work, they live a somewhat normal life as a married couple. Marybeth works the streets in the hopes of saving enough money for her final sex change operation, so then she and Benny can be married. Manny works two jobs: the late shift in an all night bodega surrounded by young junkies, drug dealers and prostitutes, and as a security guard in a Welfare hotel. At home his wife, Concetta, takes care of his sick infant son and makes their grimy rundown apartment as much of a home as she can. Willy, ten years old, lives in the Welfare hotel with his sister, mother and her violent boyfriend. Willy begs on the street so he and Susie can buy some fast food to eat. Romeo, a street tough, roams the streets with his gang. Upset over the murder of his younger brother, and feeling partially responsible for not being there during the shooting, he terrorizes anyone who comes in his path. These four stories come together in a powerful climax of love and salvation, showing that despite the obstacles of life in the inner-city, humanity and hope can still prevail. Based on Buddy Giovinazzo’s best-selling novel, “Life is Hot in Cracktown,” the vignettes show how crack cocaine has infiltrated the streets of urban America. (