Is Anybody There? (Trailer)

Is Anybody There? Poster Sir Michael Caine gives one of the finest performances of his career as a retired magician who reluctantly enters a family-run old age home in John Crowley’s IS ANYBODY THERE? Set in a seaside English town circa 1987, IS ANYBODY THERE? charts the unlikely friendship that develops between Caine’s proud, acerbic old performer and the death-obsessed young son (played by SON OF RAMBOW’S Bill Milner) of the home’s overwhelmed owners. Written by Peter Harness, who draws from his own experience growing up in a retirement home, IS ANYBODY THERE? brings a rich humor as well as a rigorous honesty to its portrait of different lives colliding under one roof. With a supporting cast that includes Anne-Marie Duff (THE MAGDALENE SISTERS), David Morrissey (THE DEAL), Rosemary Harris (SPIDER-MAN) and Leslie Phillips (VENUS), IS ANYBODY THERE? tells a charming story about growing up and growing old, and the unpredictable adventures that happen along the way. (Source)

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Is Anybody There? (Theatrical Trailer)

Is Anybody There? (2009) Poster Set in 1980s seaside England, ten-year-old Edward’s parents have turned their house into a retirement home. While his mother struggles to keep the family business afloat and his father copes with the onset of a mid-life crisis, Edward becomes increasingly obsessed with the ghosts and afterlives of the residents when they die. Edward’s is a lonely existence until he meets Clarence, the latest arrival at the home, a retired magician and grieving widower who refuses to give in gracefully to old age. Their relationship begins at odds until Clarence notices that the boy is growing up even more fitfully than he is growing old. As they begin to face life together, Clarence comes to terms with his past, Edward tames his obsession with the unknown and they are both reminded of what magic is possible when life is lived to its fullest. (Source)

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Is Anybody There? (Trailer No. 1)

Is Anybody There? Poster Set in 1980s seaside England, ‘Is Anybody There?’ tells the story of ten-year-old Edward (Bill Milner) whose parents have turned their house into a retirement home. While his mother struggles to keep the family business afloat and his father copes with the onset of a mid-life crisis, Edward becomes increasingly obsessed with the ghosts and afterlives of the residents when they die. Edward’s is a lonely existence until he meets Clarence (Michael Caine), the latest arrival at the home, a retired magician and grieving widower who refuses to give in gracefully to old age. Their relationship begins at odds until Clarence notices that the boy is growing up even more fitfully than he is growing old. As they begin to face life together, Clarence comes to terms with his past, Edward tames his obsession with the unknown and they are both reminded of what magic is possible when life is lived to its fullest. (Source)

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Boy A (Trailer)

Boy A Jack has a terrible secret. He is really the notorious Boy A (Andrew Garfield) who committed a terrible crime when he was just a child. Recently released from a juvenile prison, he enters a world he has never been part of. He is haunted by his grim past, and is more a boy than a man at 24. His caseworker Terry (Peter Mullan) sees the good in him and does everything in his power to give Boy A a second chance. Boy A chooses the name Jack and is set up with a job, a home and the opportunity for a new life. At his job he forms adult relationships for the first time. He bonds with Chris (Shaun Evans) and finds a girlfriend in Michelle (Katie Lyons), both co-workers who witness Jack’s newfound compassion and loyalty. Others are drawn to his shy, kind ways. As relationships develop, he is torn between the deceit in concealing his past and the potential exoneration by revealing his crime. Jack no longer doubts his capacity to love and has more to lose than ever. He seeks Terry’s approval to confess the truth to Michelle but is implored to keep his secret for fear of his own safety. Spending 14 years in prison has done nothing to persuade the public he’s paid his dues. Accompanying his release is a widespread, media frenzy which re-ignites public indignation. The crime and trial are covered as current news and feed a hunger for revenge. Although Jack bears little resemblance to the young Boy A, it becomes increasingly clear that the past may be impossible to escape. (Source)

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