THE ECLIPSE tells the story of Michael Farr (Ciarán Hinds), a teacher raising his two kids alone since his wife died two years earlier. Lately he has been seeing and hearing strange things late at night in his house. He isn’t sure if he is simply having terrifying nightmares or if his house is haunted. Each year, the seaside town where Michael lives hosts an international literary festival, attracting writers from all over the world. Michael works as a volunteer for the festival and is assigned the attractive Lena Morelle (Iben Hjejle), an author of books about ghosts and the supernatural, to look after. They become friendly and he eagerly tells her of his experiences. For the first time he has met someone who can accept the reality of what has been happening to him. However, Lena’s attention is pulled elsewhere. She has come to the festival at the bidding of world—renowned novelist Nicholas Holden (Aidan Quinn), with whom she had a brief affair the previous year. He has fallen in love with Lena and is going through a turbulent time, eager to leave his wife to be with her. But all Lena is trying to do is extricate herself from this mess and just get through the next few days. As the festival progresses, the trajectories of these three people draw them into a life—altering collision. Embellished by the supernatural, THE ECLIPSE is a film about the challenges of love, fear of the unknown and release from the burden of grief. (Source)
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Michael Farr is a widower living in a misty Irish seaside town who is struggling to adjust to his new role as the sole caretaker of his two children. Still reeling from the death of his wife, he has been plagued by terrifying apparitions. When he volunteers at a local literary festival, he finds he finds himself drawn to Lena Morelle, an empathetic author of supernatural fiction. While Lena tries to help Michael with the mystery of his nightmarish visions, she must contend with problems of her own – she’s being jealously pursued by a self-obsessed novelist, her one-time lover. As the three adults’ lives converge, the turbulence of the phantom world will soon have nothing on that of the living. (
THE ECLIPSE tells the story of Michael Farr (Ciarán Hinds), a teacher raising his two kids alone since his wife died two years earlier. Lately he has been seeing and hearing strange things late at night in his house. He isn’t sure if he is simply having terrifying nightmares or if his house is haunted. Each year, the seaside town where Michael lives hosts an international literary festival, attracting writers from all over the world. Michael works as a volunteer for the festival and is assigned the attractive Lena Morelle (Iben Hjejle), an author of books about ghosts and the supernatural, to look after. They become friendly and he eagerly tells her of his experiences. For the first time he has met someone who can accept the reality of what has been happening to him. However, Lena’s attention is pulled elsewhere. She has come to the festival at the bidding of world-renowned novelist Nicholas Holden (Aidan Quinn), with whom she had a brief affair the previous year. He has fallen in love with Lena and is going through a turbulent time, eager to leave his wife to be with her. But all Lena is trying to do is extricate herself from this mess and just get through the next few days. As the festival progresses, the trajectories of these three people draw them into a life-altering collision. Embellished by the supernatural, THE ECLIPSE is a film about the challenges of love, fear of the unknown and release from the burden of grief. (
It is turn of the century in Belle Epoque Paris and a scandalous romp is underfoot. The tale begins as the ravishing Lea contemplates retirement from her renowned stature as Paris’s most envied seductress to the rich and famous. Her plans are cut short when she is approached by a former courtesan and arch rival, the barb-throwing gossip Charlotte Peloux, who encourages Lea to teach her disaffected 19 year-old son a thing or two about women. The resulting escapades involve power struggles over sex, money, age and society — and unexpectedly, love itself — as a boy who refuses to grow up collides with a woman who realizes she cannot stay young forever. (
Turn-of-the-century tale of an experienced French courtesan and her young lover. (