One morning, a seemingly average and generally solitary IRS agent named Harold Crick begins to hear a female voice narrating his every action, thought and feeling in alarmingly precise detail. Harold’s carefully controlled life is turned upside down by this narration only he can hear, and when the voice declares that Harold Crick is facing imminent death, he realizes he must find out who is writing his story and persuade her to change the ending. The voice in Harold’s head turns out to be the once celebrated, but now nearly forgotten, novelist Karen “Kay” Eiffel, who is struggling to find an ending for what might be her best book. Her only remaining challenge is to figure out a way to kill her main character, but little does she know that Harold Crick is alive and well and inexplicably aware of her words and her plans for him. To make matters worse, Kay’s publisher has dispatched a hard-nosed “assistant,” Penny Escher, to force Kay to finish her novel and finish off Harold Crick. Desperate to take control of his destiny and avoid an untimely demise, Harold seeks help from a literary theorist named Jules Hilbert, who suggests that Harold might be able to change his fate by turning his story from a tragedy into a comedy. Professor Hilbert suggests that Harold try to follow one of comedy’s most elemental formulas: a love story between two people who hate each other. His suggestion leads Harold to initiate an unlikely romance with a free-spirited baker named Ana Pascal. As Harold experiences true love and true life for the first time, he becomes convinced that he has escaped his fate, as his story seems to be taking on all the trappings of a comedy in which he will not, and cannot, die. But Harold is unaware that in a Karen Eiffel tragedy, the lead characters always die at exactly the moment when they have the most to live for. (Source)
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In Nanny McPhee Returns, Oscar®—winning actress and screenwriter Emma Thompson returns to the role of the magical nanny who appears when she’s needed the most and wanted the least in the next chapter of the hilarious and heartwarming fable that has enchanted children around the world. In the latest installment, Nanny McPhee appears at the door of a harried young mother, Mrs. Isabel Green (Maggie Gyllenhaal), who is trying to run the family farm while her husband is away at war. But once she’s arrived, Nanny McPhee discovers that Mrs. Green’s children are fighting a war of their own against two spoiled city cousins who have just moved in and refuse to leave. Relying on everything from a flying motorcycle and a statue that comes to life to a tree—climbing piglet and a baby elephant who turns up in the oddest places, Nanny McPhee uses her magic to teach her mischievous charges five new lessons. (
In the latest installment, Nanny McPhee appears at the door of a harried young mother, Mrs. Isabel Green, who is trying to run the family farm while her husband is away at war. But once she’s arrived, Nanny McPhee discovers that Mrs. Green’s children are fighting a war of their own against two spoiled city cousins who have just moved in and refuse to leave. Relying on everything from a flying motorcycle and a statue that comes to life to a tree-climbing piglet and a baby elephant who turns up in the oddest places, Nanny McPhee uses her magic to teach her mischievous charges five new lessons. (
It’s 1961 and attractive, bright 16-year-old schoolgirl, Jenny (Carey Mulligan) is poised on the brink of womanhood, dreaming of a rarefied, Gauloise-scented existence as she sings along to Juliette Greco in her Twickenham bedroom. Stifled by the tedium of adolescent routine, Jenny can’t wait for adult life to begin. Meanwhile, she’s a diligent student, excelling in every subject except the Latin that her father is convinced will land her the place she dreams of at Oxford University. One rainy day, her suburban life is upended by the arrival of an unsuitable suitor, 30-ish David (Peter Sarsgaard). Very quickly, David introduces Jenny to a glittering new world of classical concerts and late-night suppers with his attractive friend and business partner, Danny (Dominic Cooper) and Danny’s girlfriend, the beautiful but vacuous Helen (Rosamund Pike). David replaces Jenny’s traditional education with his own version, picking her up from school in his Bristol roadster and whisking her off to art auctions and smoky clubs. Just as the family’s long-held dream of getting their brilliant daughter into Oxford seems within reach, Jenny is tempted by another kind of life. Will David be the making of Jenny or her undoing? (
New Yorker Harvey Shine is on the verge of losing his dead-end job as a jingle writer. Warned by his boss that he has just one more chance to deliver, Harvey goes to London for a weekend to attend his daughter’s wedding but promises to be back on Monday morning to make an important meeting–or else. Harvey arrives in London only to learn his daughter has chosen to have her stepfather walk her down the aisle instead of him. Doing his best to hide his devastation, he leaves the wedding before the reception in hopes of getting to the airport on time, but misses his plane anyway. When he calls his boss to explain, he is fired on the spot. Drowning his sorrows at the airport bar, Harvey strikes up a conversation with Kate, a slightly prickly, 40-something employee of the Office of National Statistics. Kate, whose life is limited to work, the occasional humiliating blind date and endless phone calls from her smothering mother, is touched by Harvey, who finds himself energized by her intelligence and compassion. The growing connection between the pair inspires both as they unexpectedly transform one another’s lives. (
Academy Award winners Dustin Hoffman (Rain Man) and Emma Thompson (Sense and Sensibility) reunite in Last Chance Harvey, a hopeful romance that celebrates new beginnings—at any age. The film is directed and written by Joel Hopkins (Jump Tomorrow). New Yorker Harvey Shine (Dustin Hoffman) is on the verge of losing his dead-end job as a jingle writer. Warned by his boss (Richard Schiff) that he has just one more chance to deliver, Harvey goes to London for a weekend to attend his daughter’s (Liane Balaban) wedding but promises to be back on Monday morning to make an important meeting—or else. Harvey arrives in London only to learn his daughter has chosen to have her stepfather (James Brolin) walk her down the aisle instead of him. Doing his best to hide his devastation, he leaves the wedding before the reception in hopes of getting to the airport on time, but misses his plane anyway. When he calls his boss to explain, he is fired on the spot. Drowning his sorrows at the airport bar, Harvey strikes up a conversation with Kate (Emma Thompson), a slightly prickly, 40-something employee of the Office of National Statistics. Kate, whose life is limited to work, the occasional humiliating blind date and endless phone calls from her smothering mother (Eileen Atkins), is touched by Harvey, who finds himself energized by her intelligence and compassion. The growing connection between the pair inspires both as they unexpectedly transform one another’s lives. (
Adaptation of Evelyn Waugh’s classic novel, focusing on the doomed love affair between Charles and Julia Flyte and how Catholicism destroys their relationship and their families. (
A heartbreaking romantic epic, “BRIDESHEAD REVISITED” tells an evocative story of forbidden love and the loss of innocence set in the pre-WWII era. In the film, Charles Ryder (Matthew Goode, “Match Point,” “The Lookout”) becomes entranced with the noble Marchmain family, first through the charming and provocative Sebastian Marchmain (Ben Whishaw, “Perfume: The Story of a Murderer”), and then his sophisticated sister, Julia (Hayley Atwell, “Cassandra’s Dream” and the upcoming “The Duchess”). The rise and fall of Charles’ infatuations reflect the decline of a decadent era in England between the wars. Academy Award-winner Emma Thompson co-stars as Lady Marchmain. The film, based on Evelyn Waugh’s acclaimed novel is adapted for the screen by multiple BAFTA Award-winner Andrew Davies (“Bridget Jones Diary,” “Bleak House”) and Jeremy Brock (“The Last King of Scotland”) and directed by Julian Jarrold (“Becoming Jane”). (