A family weekend is fraught with emotional landmines for mercurial and sensitive Lynn as she arrives at her parents' Annapolis estate for the marriage of her estranged eldest son Dylan, accompanied by her three younger children. Lynn's hopes for a joyful reunion are crushed as her wry but troubled middle son Elliot lobs verbal grenades at his mother and her relatives while daughter Alice, a fights valiantly to keep her longtime demons under control. The weekend quickly unravels as Lynn demands to be heard by her aloof, disdainful mother, ailing, distant father and ever-judgmental sisters, but most especially by her ex-husband Paul and his hot-tempered second wife Patty. Confronted with the deeply painful, half-buried truths that have given rise to the family's primal web of resentments and recriminations, Lynn struggles to maintain her equilibrium as her best attempts at reconciliation veer quickly off-course. (Source)
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A family weekend is fraught with emotional landmines for mercurial and sensitive Lynn as she arrives at her parents' Annapolis estate for the marriage of her estranged eldest son Dylan, accompanied by her three younger children. Lynn's hopes for a joyful reunion are crushed as her wry but troubled middle son Elliot lobs verbal grenades at his mother and her relatives while daughter Alice, a fights valiantly to keep her longtime demons under control. The weekend quickly unravels as Lynn demands to be heard by her aloof, disdainful mother, ailing, distant father and ever-judgmental sisters, but most especially by her ex-husband Paul and his hot-tempered second wife Patty. Confronted with the deeply painful, half-buried truths that have given rise to the family's primal web of resentments and recriminations, Lynn struggles to maintain her equilibrium as her best attempts at reconciliation veer quickly off-course. (
Winner of the Sundance Film Festival’s prestigious Screenwriting Award, ANOTHER HAPPY DAY is the feature film debut of writer and director Sam Levinson. The film is a powerful, darkly comic story of a woman struggling to find her place in a volatile family dynamic and features an outstanding ensemble cast led by Ellen Barkin who also produced. A family weekend is fraught with emotional landmines for mercurial and sensitive Lynn (Barkin) as she arrives at her parents’ Annapolis estate for the marriage of her estranged eldest son Dylan (Michael Nardelli), accompanied by her three younger children (Ezra Miller, Kate Bosworth, Daniel Yelsky). Lynn’s hopes for a joyful reunion are crushed as her wry but troubled middle son Elliot (Ezra Miller) lobs verbal grenades at his mother and her relatives while daughter Alice (Kate Bosworth), a fights valiantly to keep her longtime demons under control. The weekend quickly unravels as Lynn demands to be heard by her aloof, disdainful mother (Ellen Burstyn), ailing, distant father (George Kennedy) and ever-judgmental sisters (Siobhan Fallon, Diana Scarwid), but most especially by her ex-husband Paul (Thomas Hayden Church) and his hot-tempered second wife Patty (Demi Moore). Confronted, oftentimes hilariously, with the deeply painful, half-buried truths that have given rise to the family’s primal web ofresentments and recriminations, Lynn struggles to maintain her equilibrium as her best attempts at reconciliation veer quickly off-course. (
Set in the high-stakes world of the financial industry, Margin Call is a thriller entangling the key players at an investment firm during one perilous 24-hour period in the early stages of the 2008 financial crisis. When an entry-level analyst unlocks information that could prove to be the downfall of the firm, a roller-coaster ride ensues as decisions both financial and moral catapult the lives of all involved to the brink of disaster. (
A mysterious drifter and an ardent young Japanese warrior Yoshi both arrive in a town that has been terrorized by outrageous and virulent criminals. Each is obsessed with his separate mission, and guided by the wisdom of The Bartender at the Horseless Horseman Saloon, the two eventually join forces to bring down the corrupt and contemptuous reign of Nicola, the awesomely evil “woodcutter” and his lady Alexandra, a femme fatale with a secret past. This classic tale is re-vitalized and re-imagined in an entirely fresh visual context, set in a unique world that mixes skewed reality with shadow-play fantasy, a place where even the landscape can betray you. Heroes triumph here only because the force of their will transforms and transcends both space and time. (
A mysterious drifter (Josh Hartnett) and an ardent young Japanese warrior Yoshi (Gackt) both arrive in a town that has been terrorized by outrageous and virulent criminals. Each is obsessed with his separate mission, and guided by the wisdom of The Bartender (Woody Harrelson) at the Horseless Horseman Saloon, the two eventually join forces to bring down the corrupt and contemptuous reign of Nicola (Ron Perlman), the awesomely evil “woodcutter” and his lady Alexandra (Demi Moore), a femme fatale with a secret past. This classic tale is re-vitalized and re-imagined in an entirely fresh visual context, set in a unique world that mixes skewed reality with shadow-play fantasy, a place where even the landscape can betray you. Heroes triumph here only because the force of their will transforms and transcends both space and time. The world of BUNRAKU is past and present, fantasy and reality, Samurai and Western all combined. Like SIN CITY and 300, it gives classic conflict a whole new graphically supercharged dynamic. Resonating through a wide range of cultures and showcasing a mind-blowing array of martial arts disciplines, BUNRAKU is a fresh arena for breathtaking fight action. (