First it was a mine that exploded in the middle of the Moroccan desert. Years later, it was a stray bullet that lodged in his brain… Bazil doesn’t have much luck with weapons. The first made him an orphan, the second holds him on the brink of sudden, instant death. Released from the hospital after his accident, Bazil is homeless. Luckily, our inspired and gentle—natured dreamer is quickly taken in by a motley crew of junkyard dealers living in a veritable Ali Baba’s cave. The group’s talents and aspirations are as surprising as they are diverse: Remington, Calculator, Buster, Slammer, Elastic Girl, Tiny Pete and Mama Chow. Then one day, walking by two huge buildings, Bazil recognizes the logos of the weapons manufacturers that caused all of his misfortune. He sets out to take revenge, with the help of his faithful gang of wacky friends. Underdogs battling heartless industrial giants, our gang relive the battle of David and Goliath, with all the imagination and fantasy of Buster Keaton… (Source)
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First it was a mine that exploded in the middle of the Moroccan desert. Years later, it was a stray bullet that lodged in his brain… Bazil doesn’t have much luck with weapons. The first made him an orphan, the second holds him on the brink of sudden, instant death. Released from the hospital after his accident, Bazil is homeless. Luckily, our inspired and gentle-natured dreamer is quickly taken in by a motley crew of junkyard dealers living in a veritable Ali Baba’s cave. The group’s talents and aspirations are as surprising as they are diverse: Remington, Calculator, Buster, Slammer, Elastic Girl, Tiny Pete and Mama Chow. Then one day, walking by two huge buildings, Bazil recognizes the logos of the weapons manufacturers that caused all of his misfortune. He sets out to take revenge, with the help of his faithful gang of wacky friends. Underdogs battling heartless industrial giants, our gang relive the battle of David and Goliath, with all the imagination and fantasy of Buster Keaton… (
A wallet lost and found opens the door — slightly — to Georges and Marguerite’s romantic adventure. After examining the ID of its owner, it is not a simple matter for Georges to turn in to the police the red wallet he has found. Nor can Marguerite retrieve her wallet without being piqued with curiosity about the person who found it. As George and Marguerite navigate the social protocols of giving and acknowledging thanks, turbulence enters their everyday lives. WILD GRASS is based on the novel “L’incident” by French novelist Christian Gailly. (
Retraces the encounter between a dentist and amateur pilot whose bag is snatched and its contents thrown across a car park, and a solitary man with a troubled past who retrieves her wallet. The unlikely chance meeting of the two leads to a certain romantic dithering that unfolds in eight phases, corresponding to the rules of flying, and in particular the safety procedures before take-off. (