An estranged father living in a small Southern beach town gets a chance to spend the summer with his reluctant teenaged daughter, who would rather be home in New York. He tries to connect with her through the only thing they have in common-music. (Source)
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Follows a young New York couple who, after four years together, have grown stifled. Desperate to escape their ennui, but fearful of life apart, they decide to intricately strategize their own break up. Daryl and Zoe create a maze of rules and boundaries, hoping they can avoid the pain of separation by slowly weaning themselves off of each other. Setting days on which they can speak and days on which they can’t, the two twenty-somethings are forced to confront their already embedded fears of self government.Their experiment becomes an exploration of independence within the confines of a relationship–monogamous or poly-amorous. (Source)
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JUST WRIGHT stars Queen Latifah (BRINGING DOWN THE HOUSE, VALENTINE’S DAY) as Leslie Wright, a straight—shooting physical therapist who gets the gig of a lifetime working with NBA All—Star Scott McKnight (Common — DATE NIGHT). All is going well until Leslie finds herself falling for Scott, forcing her to choose between the gig of a lifetime and the tug—of—war inside her heart. Oblivious to her romantic overtures, McKnight is instead drawn to the affections of Leslie’s gorgeous childhood friend Morgan (Paula Patton — PRECIOUS), who has her sights set on being an NBA trophy wife. Is Leslie destined to play the role of “best friend” forever or will Scott finally see that what he always wanted is right in front of him? Set against the exciting world of championship basketball, the game of love takes on the battle of the sexes in the romantic sports comedy JUST WRIGHT, starring three of Hollywood’s most charismatic personalities as they navigate the full—court—press of love. (Source)
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Scott Pilgrim has never had a problem getting a girlfriend. It’s getting rid of them that proves difficult. From the girl who kicked his heart’s ass — and now is back in town — to the teenage distraction he’s trying to shake when Ramona rollerblades into his world, love hasn’t been easy. He soon discovers, however, his new crush has the most unusual baggage of all: a nefarious league of exes controls her love life and will do whatever it takes to eliminate him as a suitor.
As Scott gets closer to Ramona, he must face an increasingly vicious rogues’ gallery from her past — from infamous skateboarders to vegan rock stars and fearsome identical twins. And if he hopes to win his true love, he must vanquish them all before it really is game over. (Source)
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An estranged father living in a small Southern beach town gets a chance to spend the summer with his reluctant teenaged daughter, who would rather be home in New York. He tries to connect with her through the only thing they have in common-music. (Source)
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An estranged father living in a small Southern beach town gets a chance to spend the summer with his reluctant teenaged daughter, who would rather be home in New York. He tries to connect with her through the only thing they have in common-music. (Source)
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Jesse (Alyssa Milano, Charmed) is a sassy, intelligent woman who has yet to find “Mr. Right”—until she bumps into Ethan (Christopher Gorham, Ugly Betty, Harper’s Island), a writer pushed to the edge of despair after having another novel rejected by publishers. For Jesse, the encounter offers more than a chance to inspire the artist in Ethan again. It also opens a new, romantic chapter in her life… with one huge complication. Moments after meeting the perfect guy for her, Jesse meets Mr. Perfect— Troy (Michael Landes, Possession), a confident and successful advertising executive who makes almost every moment elegant and romantic. Soon Jesse is in over her head and grappling with the ultimate romantic paradox: what does a girl do when she meets “Mr. Right”… after already meeting the right guy? Ultimately, what Jesse discovers about love reflects what the audience discovers about the story itself: Things are not always what they seem. My Girlfriend’s Boyfriend is a classic love story turned upside down, a romantic comedy that blends a warm sincerity with fresh, stylized storytelling and some very big surprises. (Source)
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Benjamin Esposito has spent his entire working life as a criminal court employee. Recently retired and with time on his hands, he decides to write a novel. He does not decide to make up a story. There is no need to. He can draw on his own past as a civil servant for a true, moving and tragic story in which he was once very directly involved. In 1974, his court was assigned an investigation into the rape and murder of a beautiful young woman. At the scene of the crime, Esposito sees the result of the young woman’s rape and murder first hand. He meets Ricardo Morales, who had married the girl a short time before and worshipped her body and soul. Moved by Ricardo’s grief, Esposito tries to help him find the culprit despite having to contend with the apathy and ineptitude of the police and legal system. He knows that for help the can count on Sandoval, an underling at the office yet a close friend, who occasionally seeks release from the routine of his existence by drinking himself unconscious. He can also turn to Irene, his immediate superior and secretary of the court, with whom he is secretly deeply in love, although there is no hope that she will ever love him. The search for the murderer is anything but simple. No clues remain at the scene of the crime and Esposito must rely on guesswork and his own instincts to make any progress. Furthermore, Argentina in 1974 is not a peaceful place. It is a perfect backdrop for the violence, hate, revenge and death that rule people’s lives and fates. To this ever more hostile and dark setting, Esposito’s investigation takes him deep into a world of terrible violence. No longer an observer, he becomes an unwilling central character in a drama in which he is exposed to ever-greater danger. But it is not only the young Esposito of 1974 who is swept along by the storm of events, for that storm also envelops the present-day Esposito, the old would-be writer, and sets him adrift. By deciding to revive and relive his memories, he has set in motion the wheels of the terrible mechanism of memory. And those memories are neither innocent, neutral nor aseptic. Esposito writes, and as he does so, relives a past that rises up before his eyes and awakens all his demons; particularly those involving his past decisions, uncertainties and irreparable mistakes. As he moves forward, Esposito begins to see that it is now too late to stop. Telling a story from the past is no longer just a pastime to fill his empty hours. It becomes a narrow, winding path he must take if he is to understand and find justification for his own life, if he is to give any meaning to the years remaining to him, and if once and for all he is to face up to the woman who, thirty years on, he is still in love with. (Source)
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After years of dating, Zoe (Jennifer Lopez) has decided waiting for the right one is taking too long. Determined to become a mother, she commits to a plan, makes an appointment and decides to go it alone. On the day of her artificial insemination, Zoe meets Stan (Alex O’Loughlin) – a man with real possibilities. Trying to nurture a budding relationship and hide the early signs of pregnancy becomes a comedy of errors for Zoe and creates confusing signals for Stan. When Zoe nervously reveals the reason for her unpredictable behavior, Stan commits fully and says he’s in. Never before has love seen a courtship where a wild night of sex involves three in a bed – Stan, Zoe and the ever—present massive pregnancy pillow. Or, where “date night” consists of being the “focal point” at a near—stranger’s water birth which does for kiddie pools what “Jaws” did for swimming in the ocean. The real pregnancy test comes when both of them realize they really don’t know each other outside of hormonal chaos and birth preparations. With the nine month clock ticking, both begin to experience cold feet. Anyone can fall in love, get married and have a baby but doing it backwards in hyper—drive could be proof positive that they were made for each other. (Source)
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Breaking Upwards' follows a young, real—life New York couple in a fictional narrative loosely inspired by their open relationship. After four years together, the two have grown stifled. Desperate to escape their ennui, but fearful of life apart, they decide to intricately strategize their own break up. Based on an actual experiment in real—life devised by filmmakers and partners, Daryl Wein and Zoe Lister—Jones, the film interprets a year in their lives exploring alternatives to monogamy, and the madness that ensues. The couple inhabits a hyper—articulate, emotionally layered world where twenty—somethings are portrayed in a complex and thoughtful new light. An uncensored look at young love, lust, and the pangs of codependency, 'Breaking Upwards' follows its characters as they navigate each others' emotions across the city they love. It begs the question: is it ever possible to grow apart together? (Source)
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