Kate Reddy devotes her days to her job with a Boston-based financial management firm. At night she goes home to her adoring, recently-downsized architect husband Richard and their two young children. It’s a non-stop balancing act, the same one that Kate’s acerbic best friend and fellow working mother Allison performs on a daily basis, and that Kate’s super-brainy, child-phobic young junior associate Momo fully intends to avoid. When Kate gets handed a major new account that will require frequent trips to New York, Richard also wins the new job he’s been hoping for — and both will be spreading themselves even thinner. Complicating matters is Kate’s charming new business associate Jack Abelhammer, who begins to prove an unexpected source of temptation. (Source)
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A desperate young man assumes a false identity in order to enter a high-stakes underworld game of Russian Roulette in order to pay off his debts. In this game of power, violence, and chance wealthy men gamble behind closed doors on the lives of shooters who take aim at each other, armed with nothing more than a bullet in the chamber. (
In 1987, Eddie and Mitch moved into a low-rent apartment in San Francisco where, through paper-thin walls, they were informally introduced to their middle-aged alcoholic neighbors, Raymond (a raging homophobe) and Peter (a flamboyant gay man). For 18 months, they hung a microphone from their kitchen window to chronicle the bizarre relationship between their borderline-insane neighbors, accidentally creating one of the world’s first “viral” counter-culture sensations on the underground tape market. Revisiting these events through interviews and reenactments with the key players in the phenomenon’s development, director Matthew Bate has concocted a darkly comic exploration into the blurred boundaries between art and exploitation. (
Pretty tomboy Kim (Felicity Jones) used to be a champion skateboarder, but now she flips burgers to support herself and her dad. Opportunity comes knocking when she flukes a winter-long catering job in one of the plushest ski chalets in the Alps. At first, Kim is baffled by this bizarre new world of posh people, vintage champagne, epic mountains and waist deep powder. Then Kim discovers snowboarding, and her natural talent soon sees her training for the end-of-season competition, with a chance to win major prize money. But before she can become a champion again, Kim needs to overcome her deepest fears – and figure out what’s going on with Jonny (Ed Westwick), her boss’ handsome but apparently unavailable son. (
From the shifting faultlines of Hollywood fantasies and the economic and racial tensions of Reagan’s America, Fishbone rose to become one of the most original bands of the last 25 years. With a blistering combination of punk and funk they demolished the walls of genre and challenged the racial stereotypes and political order of the music industry and the nation. Telling it like it is, the iconic Laurence Fishburne narrates EVERYDAY SUNSHINE, a story about music, history, fear, courage and funking on the one. (
Three artists struggling against the grid of society find spiritual renewal. (
In a ruthless battle for power, several yakuza clans vie for the favor of their head family in the Japanese underworld. The rival bosses seek to rise through the ranks by scheming and making allegiances sworn over sake. Long-time yakuza Otomo has seen his kind go from elaborate body tattoos and severed fingertips to becoming important players on the stock market. Theirs is a never-ending struggle to end up on top, or at least survive, in a corrupt world where there are no heroes but constant betrayal and vengeance. (
This holiday season, acclaimed filmmaker Cameron Crowe (Jerry Maguire, Almost Famous) directs an amazing and true story about a single dad who decides his family needs a fresh start, so he and his two children move to the most unlikely of places: a zoo. With the help of an eclectic staff, and with many misadventures along the way, the family works to return the dilapidated zoo to its former wonder and glory. (
Before 2009, few martial arts film fans had ever heard of the traditional Indonesian combat style of silat, let alone seen a film from that part of the world. That all changed when writer/director Gareth Huw Evans made fan favourite Merantau, which ushered young fighter Iko Uwais into the celluloid arena. Uwais and Evans have teamed up again for The Raid, a fresh assault of fists and feet that has already been tagged as a martial-arts fusion of Die Hard and Assault on Precinct 13.