Richard (Thomas Jane), Ron (Jeremy Piven), Jonathan (Rob Lowe) and Tim (Christian McKay) are old college friends that gather annually for a week in Big Sur to celebrate their friendship and catch-up on each other’s lives. They seem like typical men in their forties – all with careers, families, and enormous responsibilities – but like most people there is a lot more beneath the surface. As the week progresses, they go down the rabbit hole of excess as mountains of drugs are consumed to a blaring rock ‘n’ roll soundtrack. Parties with much younger women spin out of control. Exhausted and run ragged, they bare their souls to one another revealing the disillusionment with their lives. As the truth emerges, the reunion takes a much darker turn when a promise from their past is brought to light. From director Mark Pellington, I MELT WITH YOU is a visually dazzling, wild and wooly trip deep into the male psyche, driven by four amazingly committed and profound performances. (Source)
Find more trailers and clips on our homepage.
Paul Goodman was once so ubiquitous in the American zeitgeist that he merited a cameo in Woody Allen’s Annie Hall. Author of legendary bestseller Growing Up Absurd (1960), Goodman was also a poet, 1940s out queer (and family man), pacifist, visionary, co-founder of Gestalt therapy–and a moral compass for many in the burgeoning counterculture of the ’60s. Paul Goodman Changed My Life immerses you in an era of high intellect (that heady, cocktail-glass juncture that Mad Men has so effectively exploited) when New York was peaking culturally and artistically; when ideas, and the people who propounded them, seemed to punch in at a higher weight class than they do now. Using a treasure trove of archival multimedia–selections from Goodman’s poetry (read by Garrison Keillor and Edmund White); quotes from Susan Sontag, Martin Luther King, Jr. and Noam Chomsky; plentiful footage of Goodman himself; plus interviews with his family, peers and activists–director/producer Jonathan Lee and producer/editor Kimberly Reed (Prodigal Sons) have woven together a rich portrait of an intellectual heavyweight whose ideas are long overdue for rediscovery. (
Dodging speeding cars, crazed cabbies, open doors, and eight million cranky pedestrians is all in a day’s work for Wilee (Joseph Gordon-Levitt), the best of New York’s agile and aggressive bicycle messengers. It takes a special breed to ride the fixie – super lightweight, single-gear bikes with no brakes and riders who are equal part skilled cyclists and suicidal nutcases who risk becoming a smear on the pavement every time they head into traffic. But a guy who’s used to putting his life on the line is about to get more than even he is used to when a routine delivery turns into a life or death chase through the streets of Manhattan. When Wilee picks up his last envelope of the day on a premium rush run, he discovers this package is different. This time, someone is actually trying to kill him. (
This revealing and touching film asks what happens when a generation’s ultimate anti-authoritarians – punk rockers – become society’s ultimate authorities – dads. With a large chorus of punk rock’s leading men – Blink-182’s Mark Hoppus, Red Hot Chili Peppers’ Flea, Rise Against’s Tim McIlrath – THE OTHER F WORD follows Jim Lindberg, a 20-year veteran of the skate punk band Pennywise, on his hysterical and moving journey from belting his band’s anthem “F–k Authority,” to embracing his ultimately authoritarian role in mid-life: fatherhood. Other dads featured in the film include skater Tony Hawk, Art Alexakis (Everclear), Mark Mothersbaugh (Devo), Tony Adolescent (The Adolescents), Fat Mike (NOFX), Lars Frederiksen (Rancid), and many others. (
A faded rock star is forced to take responsibility for the daughter he never knew he had in Janie Jones, a funny and touching road trip through the world of rock ‘n’ roll from writer-director David M. Rosenthal (Falling Up), inspired by his own experiences. Rocker Ethan Brand (Alessandro Nivola) and his band, the Ethan Brand Experience, are on the comeback trail when a former flame (Oscar(R) nominee Elisabeth Shue) drops a bomb in his lap–their 13-year-old daughter, Janie Jones (Abigail Breslin). Ethan refuses to believe Janie is his kid, but when her mom suddenly leaves for rehab, the child has no place to go but with the band. With no inclination toward fatherhood, Ethan continues his hard-living ways, leaving Janie to fend for herself in the dive bars and sleazy motels along the way. As his drug- and booze-fueled antics take their toll on and off stage, the band deserts him one by one, until he and Janie are left alone. Desperate to finish the tour and revive his career, Ethan stays on the road as a solo act with Janie in tow. As Ethan’s self-destructive spiral threatens to derail his comeback, Janie uses her own surprising musical talents to help guide him down the rocky road to redemption. (
In Revenge of the Electric Car, director Chris Paine takes his film crew behind the closed doors of Nissan, GM, and the Silicon Valley start-up Tesla Motors to chronicle the story of the global resurgence of electric cars. Without using a single drop of foreign oil, this new generation of car is America’s future: fast, furious, and cleaner than ever. With almost every major car maker now jumping to produce new electric models, Revenge follows the race to be the first, the best, and to win the hearts and minds of the public around the world. It’s not just the next generation of green cars that’s on the line. It’s the future of the automobile itself. (