A Gothic imagining of the classic fairy tale in which a young woman is confronted by a werewolf, this time with a teenage love triangle at its center. (Source)
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The 10th film from writer/director Kevin Smith (“Clerks”, “Chasing Amy”, “Dogma”, “Clerks 2”, “Zack & Miri Make a Porno”), RED STATE unfolds in a small town dominated by a fundamentalist preacher, Abin Cooper. It tells the story of three high school boys who, on their way to an internet arranged meeting with a woman, end up crossing paths with Cooper. The encounter sets into motion a series of events that causes all hell to break loose. A horror thriller that could only come from the imagination of Smith, RED STATE stars Tarantino and Rodriguez favorite Michael Parks (“From Dusk Till Dawn”, “Kill Bill Vols. 1 & 2”), Oscar Nominee for Best Actress Melissa Leo (“The Fighter,” “Frozen River”) and John Goodman, Michael Angarano, Kyle Gallner and Nicholas Braun. (Source)
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DYLAN DOG: DEAD OF NIGHT is a new horror/comedy film based on one of the world’s most popular comics (60 million copies worldwide). Brandon Routh stars as Dylan Dog, world famous private investigator specializing in affairs of the undead. His PI business card reads “No Pulse? No Problem.” Armed with an edgy wit and carrying an arsenal of silver and wood-tipped bullets, Dylan must track down a dangerous artifact before a war ensues between his werewolf, vampire and zombie clients living undercover in the monster infested backstreets of New Orleans. (Source)
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RUBBER is the story of Robert, an inanimate tire that has been abandoned in the desert, and suddenly and inexplicably comes to life. As Robert roams the bleak landscape, he discovers that he possesses terrifying telepathic powers that give him the ability to destroy anything he wishes without having to move. At first content to prey on small desert creatures and various discarded objects, his attention soon turns to humans, especially a beautiful and mysterious woman who crosses his path. Leaving a swath of destruction across the desert landscape, Robert becomes a chaotic force to be reckoned with, and truly a movie villain for the ages. Directed by legendary electro musician Quentin Dupieux (Steak, Nonfilm), aka Mr. Oizo, RUBBER is a smart, funny and wholly original tribute to the cinematic concept of no reason. (Source)
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A middle-aged man dies in the street, leaving his widow and three children destitute. The devastated family is confronted not only with his loss but with a terrible challenge – how to survive. For they are cannibals. They have always existed on a diet of human flesh consumed in bloody ritual ceremonies… and the victims have always been provided by the father. Now that he is gone, who will hunt? Who will lead them? How will they sate their horrific hunger? The task falls
to the eldest son, Alfredo, a teenage misfit who seems far from ready to accept the challenge… But without human meat the family will die. Shocking, bloody and deeply moving, WE ARE WHAT WE ARE is a remarkable reinvention of the horror genre – a visceral and powerfully emotional portrait of a family bound by a terrible secret and driven by monstrous appetites. (Source)
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The writer-director team behind ‘Saw’ and the filmmakers of ‘Paranormal Activity’ redefine the haunted house genre in ‘Insidious.’ This horror film is the terrifying story of a family who shortly after moving discover that dark spirits have possessed their home and that their son has inexplicably fallen into a coma. Trying to escape the haunting and save their son, they move again only to discover that it was not their house that was haunted. (Source)
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When she was a child, Cheng Lai-Sheung (Josie Ho) could see Hong Kong’s famed Victoria Harbour from her apartment. She vows to one day save up enough money for her family to move into ‘No.1 Victoria Bay’ with a magnificent view. In order to achieve her dream, Cheng has to work hard at two full-time jobs. She even goes as far as stealing customer data to sell to other companies. However, no matter how much she toils, she cannot earn enough to keep up with the ever-increasing values of Hong Kong’s real estate. Since property prices keep leaping higher, her dream home now seems forever out of reach…until suddenly, it dawns on her: in order to get what she wants, she must take matters into her own hands…even if it means getting her hands seriously bloody. (Source)
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