A love story between a father and his children. This is the journey of Uxbal, a conflicted man who struggles to reconcile fatherhood, love, spirituality, crime, guilt and mortality amidst the dangerous underworld of modern Barcelona. His livelihood is earned out of bounds, his sacrifices for his children know no bounds. Like life itself, this is a circular tale that ends where it begins. As fate encircles him and thresholds are crossed, a dim, redemptive road brightens, illuminating the inheritances bestowed from father to child, and the paternal guiding hand that navigates life’s corridors, whether bright, bad – or biutiful. (Source)
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Although far from the Swinging Sixties of Carnaby Street, life for the women of Dagenham, England is tinged with the sounds and sights of the optimistic era, heard on their radios and seen on their TV sets. Rita O’Grady reflects that upbeat era, along with her friends and co-workers at the city’s Ford Motor Factory — Sandra, Eileen, Brenda, Monica and Connie — who laugh in the face of their poor conditions. Lisa is a fiercely intelligent Cambridge-educated woman who feels a bit trapped, tending to the home with a husband that suggests she keep her opinions to herself. She may not live in the same world as the other women, but she shares their views. No one thought the revolution would come to Dagenham, until one day, it did. Rita, who primarily sees herself as a wife and mother, is coerced into attending a meeting with shop steward Connie, sympathetic union representative Albert and Peter Hopkins, Ford’s Head of Industrial Relations. What she expects to be simply a day out of work, complete with a free lunch, turns into much more when she and her colleagues become outraged by the lack of respect shown in the meeting to the women employees. With humor, common sense and courage Rita and the other women take on their bosses, an increasingly belligerent local community, and finally the government, as their intelligence and unpredictability proves to be a match for any of their male opponents. Daring to stand up and push boundaries, the women changed a system that no one wanted to admit was broken. (
Northern Iraq, 2003. Two weeks after the fall of Saddam Hussein. Ahmed, a 12-year-old boy, begrudingly folliows in the shadow of his grandmother. On hearing news that prisoners of war have been found alive in the South, she in determined to discover the fate of her missing son, Ahmed’s father, who never returned from the Guld war. From the mountains of Kurdistan to the sands of Babylon, they hitch rides from strangers and cross paths with fellow pilgrims on all too similar journeys. Struggling to understand his grandmother’s search, Ahmed follows in the forgotten footsteps of a father he never know. This journey will lead the boy to come of age. (
Traces the life of three brothers whose family has been driven off its land and survived the Setif massacres. They end up in France where two of the brothers campaign for Algerian independence. The Battle of Paris, which brings the FLN (National Liberation Front) into conflict with the French police, crushes and divides them. (
In THE GIRL WHO KICKED THE HORNETS’ NEST – the final installment of the “Millennium trilogy” – Lisbeth Salander is fighting for her life in more ways than one. In intensive care and charged with three murders, she will not only have to prove her innocence, but also identify and denounce those corrupt government institutions that very nearly destroyed her life. Once upon a time, she was a victim. Now Salander is fighting back. (
From writer-director Rachid Bouchareb (Days of Glory aka Indigenes) comes the film Outside the Law, the story of three brothers who fight for Algeria’s independence from France after World War II. After losing their family home in Algeria, three brothers are scattered across the globe. Messaoud joins the French army fighting in Indochina; Abdelkader becomes a leader of the Algerian independence movement; Said moves to Paris to make his fortune in the shady clubs and boxing halls of Pigalle. Gradually, their interconnecting destinies reunite them in the French capital, where freedom is a battle to be fought and won. (
In a British city, four men have a secret plan. Omar is disillusioned about the treatment of muslims around the world and is determined to become a soldier. This is the most exciting idea Waj has ever heard. Better still it’s a no brainer because Omar does his thinking for him. Opposed to Omar and everyone else on earth is the white islamic convert Barry. He’d realize he joined the cell to channel his nihilism – if he had half the self knowledge of a duck. Faisal is the odd man out. He can make a bomb – but he can’t blow himself up just now cuz his sick dad has “started eating newspaper”. Instead he’s training crows to fly bombs through windows. This is what Omar has to deal with. They must strike a decisive blow on their own turf but can any of them strike a match without punching himself in the face? (
Nearly three-quarters of the Earth’s surface is covered by water and OCEANS boldly chronicles the mysteries that lie beneath. Directors Jacques Perrin and Jacques Cluzaud dive deep into the very waters that sustain all of mankind – exploring the harsh reality and the amazing creatures that live within. Narrated by Pierce Brosnan and featuring spectacular never-before-seen imagery captured by the latest underwater technologies, OCEANS offers an unprecedented look beneath the sea (
Legendary martial artist Li Mu Bai is tracking the murderer of his master. The poised and self-assured Li can handle anything — except his feelings for lithe, pantherish Yu Shu Lien. Jen Yu, the tremulous and spoiled daughter of the Province’s governor, is also fascinated by Shu Lien’s glamorous life: that a woman can have so many adventures and such freedom is marvelous to her. Though the refined Jen is soon to be married off into respectability, she harbors a sinister plan. By night she transforms into a masked and cunning thief, out to steal the Green Destiny, an invincible blade once wielded by Li. At the same time, Li embarks on his own quest to recover the missing sword, possibly the key to his master’s murder. (
When Tamara Drewe sashays back to the bucolic village of her youth, life for the locals is thrown upside down. Tamara — once an ugly duckling — has been transformed into a devastating beauty (with help from plastic surgery). As infatuations, jealousies, love affairs and career ambitions collide among the inhabitants of the neighboring farmsteads, Tamara sets a contemporary comedy of manners into play using the oldest magic in the book: sex appeal. (