A stylish, twist—filled film noir, THE SQUARE centers on an adulterous couple whose scheming leads to arson, blackmail and murder. THE SQUARE is the first feature from Australian stuntman—turned—director Nash Edgerton and his brother Joel who co—wrote and stars in the film. Escaping the monotony of a loveless marriage, Raymond (David Roberts) becomes entangled in an affair with the beautiful and troubled Carla (Claire van der Boom). Ray’s moral limits are tested when Carla presents him with the proceeds of her controlling husband’s latest crime. This is their chance: Take the money and run… If only it were that simple. The seed is planted and Ray, fearing he will lose his love, engineers the plan. Hiring a professional arsonist (Joel Edgerton) becomes a fatal error, and the plan goes horribly wrong. Alarm bells sound and suspicions are raised but, miraculously, the dust seems to settle. After all… Nobody knows. Then the first blackmail note arrives. The couple’s nerves are tested as both Carla’s husband and the mystery author threaten to throw open their secret… With the blackmailer’s deadline approaching, they are going to find out just how far they are willing to go for love. (Source)
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Work has become an obsession for Detective Tom Adkins (JON HAMM) since the disappearance of his ten-year-old son, Tommy Jr. When an early morning phone call leads him to the mangled remains of a young boy who was brutally murdered 50 years ago, Adkins takes on the case in hopes of finding absolution. His investigation leads him to a man who lived in 1958 named Matthew Wakefield (JOSH LUCAS) and his innocent son, John. The striking similarities in the cases pushes Adkins’ obsession over the top. Barely holding onto his sanity and bound by redemption, Adkins unravels the unspeakable truth behind what happened to his son. (
When a struggling young couple, Sam and Leslie Phelan find a suitcase full of cash, they think their luck will take a turn for the better — until the strange and sinister criminal Pyke Kubic arrives at their doorstep, looking to collect what he believes is rightfully his. What follows is an action-packed adventure through the streets of Chicago as the three are pulled deeper and deeper into a desperate spiral of deception and violence… All in the name of cash (
Gathered together in the Bahamas for their annual one-week reunion, four close couples eagerly reconnect, sharing news about their lives and relationships. But their intimate week in paradise is disrupted by the unexpected arrival of Sheila’s ex-husband, Mike, who hopes to break up her new marriage with Troy and win her back. The others soon realize they too are not immune to the challenges of commitment and fidelity. Angela doesn’t believe her husband, Marcus, can be faithful now that he’s a celebrity television newscaster. Dianne and Terry’s relationship is feeling the strain of raising children. And Patricia, a successful self-help psychologist, must finally reveal the deep flaws in her seemingly perfect marriage to Gavin. With their relationships hanging in the balance when they return home, each couple must choose between blame and forgiveness, doubt and faith, with life-altering consequences… (
Benjamin Esposito has spent his entire working life as a criminal court employee. Recently retired and with time on his hands, he decides to write a novel. He does not decide to make up a story. There is no need to. He can draw on his own past as a civil servant for a true, moving and tragic story in which he was once very directly involved. In 1974, his court was assigned an investigation into the rape and murder of a beautiful young woman. At the scene of the crime, Esposito sees the result of the young woman’s rape and murder first hand. He meets Ricardo Morales, who had married the girl a short time before and worshipped her body and soul. Moved by Ricardo’s grief, Esposito tries to help him find the culprit despite having to contend with the apathy and ineptitude of the police and legal system. He knows that for help the can count on Sandoval, an underling at the office yet a close friend, who occasionally seeks release from the routine of his existence by drinking himself unconscious. He can also turn to Irene, his immediate superior and secretary of the court, with whom he is secretly deeply in love, although there is no hope that she will ever love him. The search for the murderer is anything but simple. No clues remain at the scene of the crime and Esposito must rely on guesswork and his own instincts to make any progress. Furthermore, Argentina in 1974 is not a peaceful place. It is a perfect backdrop for the violence, hate, revenge and death that rule people’s lives and fates. To this ever more hostile and dark setting, Esposito’s investigation takes him deep into a world of terrible violence. No longer an observer, he becomes an unwilling central character in a drama in which he is exposed to ever-greater danger. But it is not only the young Esposito of 1974 who is swept along by the storm of events, for that storm also envelops the present-day Esposito, the old would-be writer, and sets him adrift. By deciding to revive and relive his memories, he has set in motion the wheels of the terrible mechanism of memory. And those memories are neither innocent, neutral nor aseptic. Esposito writes, and as he does so, relives a past that rises up before his eyes and awakens all his demons; particularly those involving his past decisions, uncertainties and irreparable mistakes. As he moves forward, Esposito begins to see that it is now too late to stop. Telling a story from the past is no longer just a pastime to fill his empty hours. It becomes a narrow, winding path he must take if he is to understand and find justification for his own life, if he is to give any meaning to the years remaining to him, and if once and for all he is to face up to the woman who, thirty years on, he is still in love with. (
In an effort to promote his unpublished novel, Davy Mitchell sets out on a road trip with his younger brother. However, the idealism of being on the road wears off and it quickly proves to be a lonely and unfulfilling experience for Davy. One night in a motel room he gets a random phone call from a mysterious woman named Nicole. They start a funny and intimate long distance relationship that leaves Davy happier than he has been in years. Hoping there is more to the relationship then a voice and a phone bill, Davy decides he wants to meet Nicole. Ultimately, he will have to face not only the truth about their relationship but also about himself. (
An extraordinary woman helps an orphan boy find self—acceptance and love through her unique gifts of colour and magic. Set in a small village on wind—swept Corrie Island, just off the coast of Ireland, A Shine Of Rainbows is a heartwarming film that follows an orphan’s struggle to find acceptance and belonging in his new home. (
A wallet lost and found opens the door — slightly — to Georges and Marguerite’s romantic adventure. After examining the ID of its owner, it is not a simple matter for Georges to turn in to the police the red wallet he has found. Nor can Marguerite retrieve her wallet without being piqued with curiosity about the person who found it. As George and Marguerite navigate the social protocols of giving and acknowledging thanks, turbulence enters their everyday lives. WILD GRASS is based on the novel “L’incident” by French novelist Christian Gailly. (
Liz Gilbert (Julia Roberts) had everything a modern woman is supposed to dream of having — a husband, a house, a successful career — yet like so many others, she found herself lost, confused, and searching for what she really wanted in life. Newly divorced and at a crossroads, Gilbert steps out of her comfort zone, risking everything to change her life, embarking on a journey around the world that becomes a quest for self—discovery. In her travels, she discovers the true pleasure of nourishment by eating in Italy; the power of prayer in India, and, finally and unexpectedly, the inner peace and balance of true love in Bali. Based upon the bestselling memoir by Elizabeth Gilbert, Eat, Pray, Love proves that there really is more than one way to let yourself go and see the world. (
Four overweight friends from the Israeli city of Ramle are fed up of dieting and the dieting club they belong to. When Herzl (155 kilos), the main protagonist, loses his job as a cook and starts working as a dishwasher in a Japanese restaurant in Ramle he discovers the world of Sumo where large people such as himself are honored and appreciated. Through Kitano (60 kilos), the restaurant owner, a former Sumo coach in Japan (who is supposedly hiding from the Yakuza in Israel), he falls in love with a sport involving “two fatsos in diapers and girly hairdos”. Herzl wants Kitano to be their coach but Kitano is reluctant — they first have to earn their spurs. (