RABBIT HOLE is a vivid, hopeful, honest and unexpectedly witty portrait of a family searching for what remains possible in the most impossible of all situations. Becca and Howie Corbett (NICOLE KIDMAN and AARON ECKHART) are returning to their everyday existence in the wake of a shocking, sudden loss. Just eight months ago, they were a happy suburban family with everything they wanted. Now, they are caught in a maze of memory, longing, guilt, recrimination, sarcasm and tightly controlled rage from which they cannot escape. While Becca finds pain in the familiar, Howie finds comfort. The shifts come in abrupt, unforeseen moments. Becca hesitantly opens up to her opinionated, loving mother (DIANNE WIEST) and secretly reaches out to the teenager involved in the accident that changed everything (MILES TELLER); while Howie lashes out and imagines solace with another woman (SANDRA OH). Yet, as off track as they are, the couple keeps trying to find their way back to a life that still holds the potential for beauty, laughter and happiness. The resulting journey is an intimate glimpse into two people learning to re-engage with each other and a world that has been tilted off its axis. (Source)
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Dr. Martin Harris awakens after a car accident in Berlin to discover that his wife suddenly doesn’t recognize him and another man has assumed his identity. Ignored by disbelieving authorities and hunted by mysterious assassins, he finds himself alone, tired and on the run. Aided by an unlikely ally, Martin plunges headlong into a deadly mystery that will force him to question his sanity, his identity, and just how far he’s willing to go to uncover the truth. (
Six years ago NASA discovered the possibility of alien life within our solar system. A probe was launched to collect samples, but crashed upon re-entry over Central America. Soon after new life forms began to appear there and half of Mexico was quarantined. Today, the American and Mexican military struggle to contain these alien creatures. In particular, here, we focus on a US journalist who agrees to escort a shaken tourist through the infected zone in Mexico to the safety of the US border. (
Set against the backdrop of the 1960s, Made in Dagenham is based on a true story about a group of spirited women who joined forces, took a stand for what was right, and in doing so, found their own inner strength. Although far from the Swinging Sixties of Carnaby Street, life for the women of Dagenham, England is tinged with the sounds and sights of the optimistic era, heard on their radios and seen on their TV sets. Rita O’Grady (Sally Hawkins) reflects that upbeat era, along with her friends and co-workers at the city’s Ford Motor Factory — Sandra (Jamie Winstone), Eileen (Nicola Duffett), Brenda (Andrea Riseborough), Monica (Lorraine Stanley) and Connie (Geraldine James) — who laugh in the face of their poor conditions. Lisa (Rosamund Pike) is a fiercely intelligent Cambridge-educated woman who feels a bit trapped, tending to the home with a husband that suggests she keep her opinions to herself. She may not live in the same world as the other women, but she shares their views. No one thought the revolution would come to Dagenham, until one day, it did. Rita, who primarily sees herself as a wife and mother, is coerced into attending a meeting with shop steward Connie, sympathetic union representative Albert (Bob Hoskins) and Peter Hopkins (Rupert Graves), Ford’s Head of Industrial Relations. What she expects to be simply a day out of work, complete with a free lunch, turns into much more when she and her colleagues become outraged by the lack of respect shown in the meeting to the women employees. With humor, common sense and courage Rita and the other women take on their bosses, an increasingly belligerent local community, and finally the government, as their intelligence and unpredictability proves to be a match for any of their male opponents. Daring to stand up and push boundaries, the women changed a system that no one wanted to admit was broken. (
Two-time Academy Award Winner Kevin Spacey gives the performance of a lifetime in CASINO JACK, a riotous new film starring Spacey as a man hell bent on acquiring all that the good life has to offer. He plays in the same game as the highest of rollers and resorts to awe-inspiring levels of conning, scheming and fraudulent antics to get what he wants.
Tangshan, 1976. Two seven-year-old twin children are buried under the rubble of the devastating earthquake. The rescue team explains to their mother, Li Yuanni, that freeing either child will almost certainly result in the death of the other. Forced to make the most difficult decision of her life, she finally chooses to save her son Fang Da, the male twin. Li Yuanni has no idea that her decision is overheard by her daughter Fang Deng, the female twin. Although she has been left behind as dead, the little girl miraculously survives for several more days before being pulled clear by another rescue team who believe that she is simply a corpse. She wakes up in the pouring rain next to the dead body of her father. Suffering from the emotional shocks of the disaster and the painful memory of her mother’s choice, Fang Deng refuses to reveal her identity. She is adopted by a middle-aged Chinese couple and years later moves to Canada to marry. Shadowed by the traumatic experiences of the earthquake and devastated by her mother’s decision to abandon her, she continues to be emotionally withdrawn throughout her adult years. Sichuan, 2008. 32 years later, when the Sichuan earthquake takes more lives, Fang Deng returns to China as a volunteer with a rescue team. The process of witnessing other people’s suffering at the time of a natural disaster helps her to overcome her own trauma and forgive her mother. She finally reunites with her family after 32 years apart. (
From Claire Denis, the incomparable director of ‘Beau Travail,’ ‘L’Intrus’ and ’35 Shots of Rhum,’ comes ‘White Material’: a rich and thrilling account of a woman driven to the edge. An official section of the Venice, Toronto and New York Film Festivals, the film is a riveting exploration the dark complexities of racial conflict and limits of human will. The legendary Isabelle Huppert (‘La Ceremonie,’ ‘The Piano Teacher,’ ‘8 Women,’) is Maria Vial, a fearless French woman attempting to run her family’s coffee plantation in an unnamed African country. Torn violently apart by hate-fueled civil conflict, this unforgiving setting soon turns against the foreign family, declaring them outlaw in their new home. In a brash effort to save her family and livelihood, Maria risks everything, fighting with every shred of her will to buck the rebel forces wrestling for control of local power. (
Inspired by true events, “The Rite” follows skeptical seminary student Michael Kovak (Colin O’Donoghue), who reluctantly attends exorcism school at the Vatican. While in Rome, he meets an unorthodox priest, Father Lucas (Anthony Hopkins), who introduces him to the darker side of his faith. Directed by Mikael Hafstroem (“1408”), “The Rite” is a supernatural thriller that uncovers the devil’s reach to even one of the holiest places on Earth. (
After the death of his father King George V (Michael Gambon) and the scandalous abdication of Prince Edward VII’s (Guy Pearce), Bertie (Colin Firth) who has suffered from a debilitating speech impediment all his life, is suddenly crowned King George VI of England. With his country on the brink of war and in desperate need of a leader, his wife, Elizabeth (Helena Bonham Carter), the future Queen Mother, arranges for her husband to see an eccentric speech therapist, Lionel Logue (Geoffrey Rush). After a rough start, the two delve into an unorthodox course of treatment and eventually form an unbreakable bond. With the support of Logue, his family, his government and Winston Churchill (Timothy Spall), the King will overcome his stammer and deliver a radio-address that inspires his people and unites them in battle. Based on the true story of King George VI, THE KING’S SPEECH follows the Royal Monarch’s quest to find his voice. (
Meskada follows a small-town detective named Noah Cordin as he struggles to solve the brutal murder of a boy in the peaceful, affluent town of Hilliard. The killers left behind no clues at the crime scene, with the exception of a scrap of paper leading Cordin back to his hometown of Caswell. Here, Cordin and county detective Leslie Spencer consult with Cordin’s old friends, all of whom are suffering from the economic troubles that have plunged Caswell into near-destitution. As their search fails to turn up a suspect, feverish tensions rise between the towns of Hilliard and Caswell, until the film reaches its shocking climax. Meskada captures a snapshot of quintessential American small-town life. The story calls to mind our nation’s history, the brutal clashes over land and territory, the class-divides and the improbable victories for equal opportunity. Meskada portrays a vivid picture of the rift between characters in two towns, people bound by loyalty, family, community, and a battle born of circumstances beyond their control. (