It is turn of the century in Belle Epoque Paris and a scandalous romp is underfoot. The tale begins as the ravishing Lea contemplates retirement from her renowned stature as Paris’s most envied seductress to the rich and famous. Her plans are cut short when she is approached by a former courtesan and arch rival, the barb-throwing gossip Charlotte Peloux, who encourages Lea to teach her disaffected 19 year-old son a thing or two about women. The resulting escapades involve power struggles over sex, money, age and society — and unexpectedly, love itself — as a boy who refuses to grow up collides with a woman who realizes she cannot stay young forever. (Source)
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Not Quite Hollywood is the wild, wonderful, untold story of “OZPLOITATION” films. It irreverently documents an era when Australian cinema got its gear off and showed the world a full-frontal explosion of sex, violence, horror and foot-to-the-floor action. Free-wheeling sex romps! Blood-soaked terror tales! High-octane action extravaganzas! They’re the main ingredients of Not Quite Hollywood, the first detailed examination and celebration of Australian genre cinema of the ’70s and ’80s. In 1971, with the introduction of the R-certificate, Australia’s censorship regime went from repressive to progressive virtually overnight. This cultural explosion gave birth to art house classics, such as Picnic at Hanging Rock and My Brilliant Career, but also spawned a group of demon-children: maverick filmmakers who braved assault from all quarters to bring films like Alvin Purple, The Man From Hong Kong, Patrick, Turkey Shoot and Mad Max to the big screen. As explicit, violent and energetic as their northern cousins, Aussie genre movies presented a unique take on established conventions. In England, Italy and the grind houses and drive-ins of America, audiences applauded Australian homegrown marauding “rev heads” with brutish cars, spunky well-stacked heroines and stunts — unparalleled in their quality and extreme danger. Full of outrageous anecdotes, a large cast of local and International names and a genuine, infectious love of Australian movies, Not Quite Hollywood is a fast-moving journey through an unjustly forgotten cinematic era. (
Four young adventurers playing hide-and-seek in the country home of an old professor stumble upon an enchanted wardrobe that will take them places they never dreamed. Stepping through the wardrobe door, they are whisked out of World War II London into the spectacular parallel universe known as Narnia–a fairy-tale realm of magical proportions where woodland animals talk and mythological creatures roam the hills. But Narnia has fallen under the icy spell of a mad sorceress, cursed to suffer through a winter that never ends by the White Witch Jadis. Now, aided by Narnia’s rightful leader, the wise and mystical lion Aslan, the four Pevensie children will discover their own strength and lead Narnia into a spectacular battle to be free of the Witch’s glacial enslavement forever. (
A group of eight medical students who are attacked in their cabin by a battalion of German zombie soldiers. (
The US President and UK Prime Minister fancy a war. But not everyone agrees that war is a good thing. The US General Miller doesn’t think so and neither does the British Secretary of State for International Development, Simon Foster. But, after Simon accidentally backs military action on TV, he suddenly has a lot of friends in Washington, DC. If Simon can get in with the right DC people, if his entourage of one can sleep with the right intern, and if they can both stop the Prime Minister’s chief spin-doctor Malcolm Tucker rigging the vote at the UN, they can halt the war. If they don’t… well, they can always fire their Director of Communications Judy, who they never liked anyway and who’s back home dealing with voters with blocked drains and a man who’s angry about a collapsing wall. (
A middle-aged slacker living in a rundown, graffiti-ridden slum, Daisato’s job involves being shocked by bolts of electricity that transform him into a stocky, stick-wielding giant several stories high who is entrusted with defending Japan from a host of bizarre monsters. But while his predecessors were national heroes, he is a pariah among the citizens he protects, who bitterly complain about the noise and destruction of property he causes. And Daisato has his own problems -an agent insistent on branding him with sponsor advertisements, an Alzheimer-afflicted grandfather who transforms into a giant in dirty underwear, and a family who is embarrassed by his often cowardly exploits. (
Julia (Tilda Swinton) is a middle-aged alcoholic who totters around nightclubs on six-inch heels, and gets by on nickel-and-dime jobs sandwiched between shots of vodka and one-night stands. Julia is manipulative, unreliable and a compulsive liar, and when an opportunity presents itself to make a substantial amount of money, she jumps at the chance and commits a desperate act. As the repercussions spiral beyond her control, she is forced to make a choice between sacrifice and redemption. (In theaters May 8, 2009) (
Turn-of-the-century tale of an experienced French courtesan and her young lover. (
Two siblings rival each other inside the world of professional soccer. (