In the epic finale, the battle between the good and evil forces of the wizarding world escalates into an all-out war. The stakes have never been higher and no one is safe. But it is Harry Potter who may be called upon to make the ultimate sacrifice as he draws closer to the climactic showdown with Lord Voldemort. It all ends here. (Source)
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Charlie Kenton is a washed-up fighter who lost his chance at a title when 2000-pound, 8-foot-tall steel robots took over the ring. Now nothing but a small-time promoter, Charlie earns just enough money piecing together low-end bots from scrap metal to get from one underground boxing venue to the next. When Charlie hits rock bottom, he reluctantly teams up with his estranged son Max to build and train a championship contender. As the stakes in the brutal, no-holds-barred arena are raised, Charlie and Max, against all odds, get one last shot at a comeback. (Source)
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A gritty, white-knuckle, action ride set in the near-future where the sport of boxing has gone high-tech, Real Steel stars Hugh Jackman as Charlie Kenton, a washed-up fighter who lost his chance at a title when 2000-pound, 8-foot-tall steel robots took over the ring. Now nothing but a small-time promoter, Charlie earns just enough money piecing together low-end bots from scrap metal to get from one underground boxing venue to the next. When Charlie hits rock bottom, he reluctantly teams up with his estranged son Max (Dakota Goyo) to build and train a championship contender. As the stakes in the brutal, no-holds-barred arena are raised, Charlie and Max, against all odds, get one last shot at a comeback. (Source)
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Ryan Gosling stars as a Los Angeles wheelman for hire, stunt driving for movie productions by day and steering getaway vehicles for armed heists by night. Though a loner by nature, Driver can’t help falling in love with his beautiful neighbor Irene (Carey Mulligan), a vulnerable young mother dragged into a dangerous underworld by the return of her ex-convict husband Standard (Oscar Isaac). After a heist intended to pay off Standard’s protection money spins unpredictably out of control, Driver finds himself driving defense for the girl he loves, tailgated by a syndicate of deadly serious criminals (Albert Brooks and Ron Perlman). But when he realizes that the gangsters are after more than the bag of cash in his trunk-that they’re coming straight for Irene and her son-Driver is forced to shift gears and go on offense. (Source)
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Ryan Gosling stars as a Los Angeles wheelman for hire, stunt driving for movie productions by day and steering getaway vehicles for armed heists by night. Though a loner by nature, Driver can’t help falling in love with his beautiful neighbor Irene (Carey Mulligan), a vulnerable young mother dragged into a dangerous underworld by the return of her ex-convict husband Standard (Oscar Isaac). After a heist intended to pay off Standard’s protection money spins unpredictably out of control, Driver finds himself driving defense for the girl he loves, tailgated by a syndicate of deadly serious criminals (Albert Brooks and Ron Perlman). But when he realizes that the gangsters are after more than the bag of cash in his trunk-that they’re coming straight for Irene and her son-Driver is forced to shift gears and go on offense. (Source)
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Ryan Gosling stars as a Los Angeles wheelman for hire, stunt driving for movie productions by day and steering getaway vehicles for armed heists by night. Though a loner by nature, Driver can’t help falling in love with his beautiful neighbor Irene (Carey Mulligan), a vulnerable young mother dragged into a dangerous underworld by the return of her ex-convict husband Standard (Oscar Isaac). After a heist intended to pay off Standard’s protection money spins unpredictably out of control, Driver finds himself driving defense for the girl he loves, tailgated by a syndicate of deadly serious criminals (Albert Brooks and Ron Perlman). But when he realizes that the gangsters are after more than the bag of cash in his trunk-that they’re coming straight for Irene and her son-Driver is forced to shift gears and go on offense. (Source)
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“Dolphin Tale” is inspired by the amazing true story of a brave dolphin and the compassionate strangers who banded together to save her life. Swimming free, a young dolphin is caught in a crab trap, severely damaging her tail. She is rescued and transported to the Clearwater Marine Hospital, where she is named Winter. But her fight for survival has just begun. Without a tail, Winter’s prognosis is dire. It will take the expertise of a dedicated marine biologist, the ingenuity of a brilliant prosthetics doctor, and the unwavering devotion of a young boy to bring about a groundbreaking miracle–a miracle that might not only save Winter but could also help scores of people around the world. The real Winter, who plays herself in “Dolphin Tale,” today serves as a symbol of courage, perseverance and hope to millions of people–both able and disabled–who have been touched by her remarkable story of recovery and rehabilitation. (Source)
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Dodging speeding cars, crazed cabbies, open doors, and eight million cranky pedestrians is all in a day’s work for Wilee, the best of New York’s agile and aggressive bicycle messengers. It takes a special breed to ride the fixie — super lightweight, single-gear bikes with no brakes and riders who are equal part skilled cyclists and suicidal nutcases who risk becoming a smear on the pavement every time they head into traffic.
But a guy who’s used to putting his life on the line is about to get more than even he is used to when a routine delivery turns into a life or death chase through the streets of Manhattan. When Wilee picks up his last envelope of the day on a premium rush run, he discovers this package is different. This time, someone is actually trying to kill him. (Source)
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Before 2009, few martial arts film fans had ever heard of the traditional Indonesian combat style of silat, let alone seen a film from that part of the world. That all changed when writer/director Gareth Huw Evans made fan favourite Merantau, which ushered young fighter Iko Uwais into the celluloid arena. Uwais and Evans have teamed up again for The Raid, a fresh assault of fists and feet that has already been tagged as a martial-arts fusion of Die Hard and Assault on Precinct 13.
In the heart of Jakarta lies a rundown apartment infested with druggies and drifters. It’s ruled by Tama, a ruthless drug lord who uses the tenement to shelter his junkie customers, as well as his pushers, enforcers and killers. The apartment block is considered untouchable by even the bravest of police — until one morning when, cloaked under dawn’s darkness, an elite swaT team led by Rama (Uwais) sweeps in. when their cover is blown, Tama’s men lash back with a hellish fury, unleashing a hail of bullets that cuts the team of lawmen down by half. with their exits blocked and munitions running low, Rama and his men must rally their energy and face off against a hive of vicious killers.
As Rama’s squad races between the rooms and floors of the building, the stakes get higher and higher, and director Evans uses this maze to bring numerous innovative kills and action gags to the screen. He builds set piece upon set piece, including a knock-’em-down brawl in the building’s drug lab.
The Raid starts with a simple premise and makes no pretensions about showing its audience non-stop, bone-crunching ass-whuppings administered by its star. Comparisons to Tony Jaa are quick to come by, but Uwais stands apart. His warm screen presence and flexible dramatic edge — not to mention his awesome fighting skills — are bound to win him new fans. (Source)
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Driver is a Los Angeles wheelman for hire, stunt driving for movie productions by day and steering getaway vehicles for armed heists by night. Though a loner by nature, Driver can’t help falling in love with his beautiful neighbor Irene, a vulnerable young mother dragged into a dangerous underworld by the return of her ex-convict husband Standard. After a heist intended to pay off Standard’s protection money spins unpredictably out of control, Driver finds himself driving defense for the girl he loves, tailgated by a syndicate of deadly serious criminals. But when he realizes that the gangsters are after more than the bag of cash in his trunk – that they’re coming straight for Irene and her son – Driver is forced to shift gears and go on offense. (Source)
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