On the surface, Marissa Cortez Wilson (Jessica Alba) has it all…married to a famous spy hunting television reporter, a new baby and intelligent twin step kids. But in reality, trying to mother Rebecca (Rowan Blanchard) and Cecil (Mason Cook), who clearly don’t want her around, is her toughest challenge yet. Also, her husband, Wilbur (Joel McHale), wouldn’t know a spy if he lived with one which is exactly the case – Marissa’s a retired secret agent. Marissa’s world is turned upside down when the maniacal Timekeeper (Jeremy Piven) threatens to take over the planet and she’s called back into action by the head of OSS, home of the greatest spies and where the now-defunct Spy Kids division was created. With Armageddon quickly approaching, Rebecca and Cecil are thrust into action when they learn their boring stepmom was once a top agent and now the world’s most competitive ten year olds are forced to put their bickering aside and rely on their wits. With a little help from a couple of very familiar Spy Kids, Carmen (Alexa Vega) and Juni Cortez (Daryl Sabara), and some mind-blowing gadgets, they just may be able to save the world and possibly bring their family together while they’re at it. (Source)
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Genevieve, a New York intellectual, moves to the country with her self-involved journalist boyfriend, Sebastian, while he works on his latest project about sustainable farming.
After a young American backpacker goes missing in Europe, a group of journalists link his disappearance to a remote village in Poland. They travel there hoping to get the story, but as they unravel the secrets behind this mysterious village, they are suddenly pursued by hostile locals. Unable to escape, they soon become the next victims of ritualistic human sacrifice. Forced into the gruesome reality of true survival horror, the journalists will discover that this village hides a much darker secret than they could ever imagine. (
In the summer of 1979, a group of friends in a small Ohio town witness a catastrophic train crash while making a super 8 movie and soon suspect that it was not an accident. Shortly after, unusual disappearances and inexplicable events begin to take place in town, and the local Deputy tries to uncover the truth – something more terrifying than any of them could have imagined. (
Evan is a young man with Down Syndrome who lives with his mother in a poor, working-class town hit hard by the recent economic recession. When he unexpectedly comes into a large amount of money, Evan uses it to romantically pursue Candy, a girl from town who he has loved since high school. Candy, now a barely-employed single mom, is facing financial debt, possible eviction, and the inability to rid herself of Russ, her abusive, volatile, ex-boyfriend. In no position to turn down Evan’s offers of financial support, Candy hesitantly accepts his gifts, which causes the pair to enter a complicated emotional entanglement. When Russ catches on to Candy and Evan’s odd relationship, all three of them become intertwined in a complex triangle of secrets, jealousy, and revenge. Despite his many hardships and the seeming impossibility of Candy being able to return his love, Evan struggles to remain a resilient, pure embodiment of human compassion. (
Until he was downsized, affable, amiable Larry Crowne (Hanks) was a superstar team leader at the big-box company where he’s worked since his time in the Navy. Underwater on his mortgage and unclear on what to do with his suddenly free days, Larry heads to his local college to start over. There he becomes part of a colorful community of outcasts, also-rans and the overlooked all trying to find a better future for themselves…often moving around town in a herd of scooters. In his public-speaking class, Larry develops an unexpected crush on his teacher Mercedes Tainot (Roberts), who has lost as much passion for teaching as she has for her husband. The simple guy who has every reason to think his life has stalled will come to learn an unexpected lesson: when you think everything worth having has passed you by, you just might discover your reason to live. (
The exquisite Charlotte Gainsbourg (Antichrist, I’m Not There) stars in French filmmaker Julie Bertuccelli’s achingly beautiful follow-up to her sleeper hit Since Otar Left. The Closing Night Film at Cannes in 2010, The Tree is a mystical drama of loss and rebirth in the Australian countryside. Not since classic 1970s works Picnic at Hanging Rock and Walkabout has the harshly gorgeous outback landscape been such a lyrical yet foreboding metaphor for grief and coming of age. Blindsided with anguish after her husband’s sudden death, Dawn (Gainsbourg)–along with her four young children–struggles to make sense of life without him. Eight-year-old Simone (unforgettable newcomer Morgana Davies) becomes convinced that her father is whispering to her through the leaves of the gargantuan fig tree that towers over their house. The family is initially comforted by its presence, but then the tree’s enormous roots slowly begin to encroach on the abode and threaten their fragile existence…. (
Baya Benmahmoud, a young, extroverted liberal, lives by the old hippie slogan: “Make love, not war” to convert right-wing men to her left-wing political causes by sleeping with them. She seduces many and so far has received exceptional results – until she meets Arthur Martin, a Jewish middle aged, middle-of-the road scientist. Bound by common tragic family histories (the Algerian War and Holocaust under Vichy), the duo improbably fall in love. (