This spring, producer Judd Apatow (Knocked Up, Superbad) and director Paul Feig (creator of Freaks and Geeks) invite you to experience Bridesmaids. Kristen Wiig leads the cast as Annie, a maid of honor whose life unravels as she leads her best friend, Lillian (Maya Rudolph), and a group of colorful bridesmaids (Rose Byrne, Melissa McCarthy, Wendi McLendon-Covey and Ellie Kemper) on a wild ride down the road to matrimony. Annie’s life is a mess. But when she finds out her lifetime best friend is engaged, she simply must serve as Lillian’s maid of honor. Though lovelorn and broke, Annie bluffs her way through the expensive and bizarre rituals. With one chance to get it perfect, she’ll show Lillian and her bridesmaids just how far you’ll go for someone you love. (Source)
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Set in 1974 Texas, Exodus Fall tells the story of three teen siblings struggle with the death of their father and try to live with their abusive mother. When one of the teens is sent away because the mother can’t cope with his autism, the oldest of the siblings devises a plan to get their brother back and embark on a life changing adventure across the Southwest in their deceased father’s station wagon. In their attempt to find their grandmother’s home thousands of miles away, they find themselves confronted with detours that ultimately slow them down, but thrust them into a coming of age journey to be remembered. (
Paul Mariano and Kurt Norton’s THESE AMAZING SHADOWS asks the question: what do films like Casablanca, Blazing Saddles and West Side Story have in common? As the government-appointed protector of our cinematic legacy, the National Film Registry selects culturally, historically, or aesthetically significant works for preservation in the Library of Congress. From award-winning features to music videos, experimental films to home movies, each Registry selection reflects a truth of its time or a standout artistic vision. Through interviews with Registry board members, archivists, and notable filmmakers like Christopher Nolan, Rob Reiner, John Waters, John Singleton, John Lasseter and Barbara Kopple, the filmmakers demonstrate the way film documents artistic and societal milestones. (
A successful visual artist working in post-9/11 Manhattan, Asya lives the life of the hip and glamorous, replete with exclusive art parties, supermodels, and stretch limousines while she carefully follows the situation in the Middle East on television. Asya learns that her childhood friend, Faisal, has disappeared–the victim of a purported CIA abduction. That same night, she meets Javier, a sexy Mexican PhD student, and romance blossoms. Javier finds Asya’s conspiracy theories overly paranoid–but nothing in Asya’s world is as it seems. Asya’s life is reflective of the themes of cultural fusion, and the complications and humor that arise simultaneously out of everyday life. Zeina Durra’s atmospheric debut feature is an alluring and intelligent look at the way the war on terror seeps into the texture of everyday American life. Gorgeous 16 mm grain imbues the film with an anachronistic feel that interestingly evokes times past. The Imperialists Are Still Alive! is an exceptional work and heralds the arrival of Durra as an exciting new directorial talent. (
Kent (Kent Osborne) is an unmarried, 40-something children’s-show writer living alone with his cat in Los Angeles. He spends his days sketching gag cartoons and bouncing ideas off his hyperactive friend, Kev (Kevin Bewersdorf), and his nights staving off loneliness in Internet chat rooms. When one of Kent’s online acquaintances, environmental journalist Kate (Jennifer Prediger), crashes at his house for the weekend, he finds himself attracted to her coquettish manner and frank emotional openness but sexually frustrated by her fidelity to a distant boyfriend. (
Just after the death of her newly-born sister, Chanda, 12 years old, learns of a rumor that spreads like wildfire through her small, dust-ridden village near Johannesburg. It destroys her family and forces her mother to flee. Sensing that the gossip stems from prejudice and superstition, Chanda leaves home and school in search of her mother and the truth. (
A young man, d’Artagnan, leaves home to join the King of France’s best fighting force–the Musketeers. (
Adventure-loving house painter Mr. Popper (Jim Carrey) contends with the problem of having too many penguins in director Mark S. Waters’ adaptation of author Richard Atwater’s beloved children’s book. Shortly after penning a letter to a team of Arctic explorers, Mr. Popper is surprised to receive a penguin in the mail. Later, after making his mischievous new pal a cozy new home in the freezer, the hapless Mr. Popper comes into possession of a playful female penguin as well. Before long Mr. Popper finds himself surrounded by a growing family of the flightless birds, and begins training them to perform in a traveling show dubbed Popper’s Performing Penguins. With each new town the show travels to, pandemonium is quick to follow. – Jason Buchanan, Rovi (
A group of teenagers find their lives intersecting and their futures taking shape as they prepare for the most pivotal event of their high school careers. At first Nova Prescott is infuriated at a classmate who nearly destroys her plans for prom. But the closer the big day gets, the more she realizes that he may be the perfect date. Meanwhile, secretive seniors Tyler and Mei wrestle with the consciences over how to make the most of their big night as the rest of their classmates attempt to reconcile their explosive anticipation with their growing uncertainty over how the dance will ultimately pan out. (
Set in 1977 in a provincial French town, POTICHE is a free adaptation of the 1970s eponymous hit comic play. Catherine Deneuve is Suzanne Pujol, a submissive, housebound ‘trophy housewife’ (or “potiche,”) who steps in to manage her wealthy and tyrannical husband (Fabrice Lucchini)’s umbrella factory after the workers go on strike and take him hostage. To everyone’s surprise, Suzanne proves herself a competent and assertive woman of action. But when her husband returns from a restful cruise in top form, things get complicated. Gerard Depardieu plays a former union leader and Suzanne’s ex-beau who still holds a flame for her. Acclaimed writer-director Francois Ozon (“Swimming Pool,” “Under the Sand,” “Time to Leave,”) who had previously directed Ms. Deneuve in “8 Women,” twists the original play on its head to create his own satirical and hilarious take on the war between the sexes and classes. (