Paper Man is an inspirational comedic drama about an unlikely friendship between Richard (Jeff Daniels), a failed middle—aged novelist who has never quite grown up and Abby (Emma Stone), a 17—year—old girl whose role in a family tragedy years earlier has stolen away her youth. Both are unsure, both are afraid to take firm steps forward, and both are looking for that special friend—that connection—to help guide them into the future. Since his childhood, Richard has mostly relied on the imaginary one that resides in his head—a costumed superhero known as Captain Excellent (Ryan Reynolds). At the urging of his wife Claire (Lisa Kudrow), Richard has moved to a Long Island beach community for the winter season in order to overcome his writer’s block. There, Richard meets Abby and hires her as a weekly babysitter, even though he has no children. Their tenuous, new friendship is sparked by Richard’s awe over Abby’s homemade soup and Abby’s enjoyment of Richard’s writing and his attempts at Origami. As the season progresses and the warm, quirky friendship between Richard and Abby grows, the two begin to share with each other their dreams and life hardships. With the coming of spring, Richard and Abby discover there comes a time to let go of the imaginary friends of the past and to embrace the future as a new beginning—just as one would embrace a new and unique friendship. (Source)
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After challenging an evil dragon, rescuing a beautiful princess and saving your in-laws’ kingdom, what’s an ogre to do? Well, if you’re Shrek, you suddenly wind up a domesticated family man. Instead of scaring villagers away like he used to, a reluctant Shrek now agrees to autograph pitch forks. What’s happened to this ogre’s roar? Longing for the days when he felt like a “real ogre,” Shrek is duped into signing a pact with the smooth-talking dealmaker, Rumpelstiltskin. Shrek suddenly finds himself in a twisted, alternate version of Far Far Away, where ogres are hunted, Rumpelstiltskin is king and Shrek and Fiona have never met. Now, it’s up to Shrek to undo all he’s done in the hopes of saving his friends, restoring his world and reclaiming his one True Love. (Source)
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An unlikely friendship forms between Richard, a failed middle-aged novelist who has never quite grown up and Abby, a 17-year-old girl whose role in a family tragedy years earlier has stolen away her youth. Both are unsure, both are afraid to take firm steps forward, and both rely on the imaginary friends in their heads to help guide them into the future – for Richard, it is the costumed superhero Captain Excellent, and for Abby, it’s morose fellow teenager Christopher. At the urging of his wife Claire, Richard has moved to a Long Island beach community for the winter season in order to overcome his writer’s block. There, Richard meets Abby and hires her as a weekly babysitter, even though he has no children. Their tenuous, new friendship is sparked by Richard’s awe over Abby’s homemade soup and Abby’s enjoyment of Richard’s writing and his attempts at Origami. As the season progresses and the warm, quirky friendship between Richard and Abby grows, the two begin to share with each other their dreams and life hardships. Becoming the best of friends, Richard and Abby discover there comes a time to let go of imaginary friends of the past and to embrace the future as a new beginning – just as one would embrace a new and unique friendship. (Source)
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Five friends and former teammates reunite years later to honor the passing of their childhood basketball coach. With their wives and kids in tow, they spend the Fourth of July holiday weekend together at the lake house where they celebrated their championship years earlier. Picking up where they left off, they discover why growing older doesn’t mean growing up. (Source)
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During a stopover in Germany in the middle of a carefree road trip through Europe, two American girls find themselves alone at night when their car breaks down in the woods. Searching for help at a nearby villa, they are wooed into the clutches of a deranged retired surgeon who explains his mad scientific vision to his captives’ utter horror. They are to be the subjects of his sick lifetime fantasy: to be the first to connect people, one to the next, and in doing so bring to life “the human centipede.” (Source)
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It’s the end of the school year, and smarmy Principal Gordon (Michael Chiklis) has suddenly instituted a zero-tolerance crusade against his nemesis, the reviled marijuana. A mandatory drug test for all students is to be administered, failure of which will result in immediate expulsion. With his college scholarship hanging in the balance, valedictorian Henry Burke teams up a charismatic pothead to do the only thing they can think of to neutralize this threat – get the entire student body stoned. (Source)
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Holy Rollers is inspired by actual events in the late nineties when Hasidic Jews were recruited as mules to smuggle ecstasy from Europe into the United States. Sam Gold (Jesse Eisenberg), a young Hasid from an Orthodox Brooklyn community reluctantly follows the path his family has chosen for him, awaiting a pending arranged marriage and studying to become a Rabbi. A charming neighbor, Yosef Zimmerman (Justin Bartha), senses Sam’s resistance and propositions him to transport ‘medicine’ for Jackie (Danny A. Abeckaser), an Israeli dealer, and his girlfriend, Rachel (Ari Graynor). Sam quickly demonstrates his business skill to his bosses, who instantly take Sam under their wing. Now exposed to the exciting and gritty worlds of Manhattan andAmsterdam nightlife, Sam begins to spiral deeper into their detrimental lifestyle, experimenting with ecstasy and then falling for Rachel. As the business grows, Sam’s double life begins to rip his family apart and the community becomes suspicious of his illegal activities. Sam slowly comes to realize the façade behind the easy money and parties. Caught between life as a smuggler and the path back to God, Sam goes on the run, forced to make a fatal decision that could bring the entire operation crashing down. (Source)
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Chronicling the worldwide epic created by mountain climber Enzo Simone. 10 Mountains 10 Years is a movie that follows his international team of mountain climbers as they scale 10 of the greatest peaks in the world to raise awareness and funds for Alzheimer's and Parkinson's Disease. 45 vertical miles. 7 countries. 6 continents. 2 diseases. And one decade. Focusing on Mt. Kilimanjaro, the film tracks the greatest advances happening in the medical community alongside the team's endurance at altitude. Over 92 million people worldwide have a family member battling Alzheimer's or Parkinson's Disease. This is a story of hope and of common everyday people coming together to change this world and leave something better behind. A collaboration with the Leeza Gibbons Memory Foundation and the Focus On a Cure Foundation for Parkinson's, proceeds from the movie go towards medical research and caregiver programs. (Source)
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Angela Ismailos’ GREAT DIRECTORS, is a celebration of films and filmmaking starring ten of the worlds most acclaimed, provocative, and individualistic living directors. The documentary, which had its world premiere at the 2009 Venice Film Festival, is a deeply personal and intimate look at the art of cinema and the artists who create it, and features original, in—depth conversations with world—class filmmakers Bernardo Bertolucci, David Lynch, Stephen Frears, Agnes Varda, Ken Loach, Liliana Cavani, Todd Haynes, Catherine Breillat, Richard Linklater and John Sayles. These interviews more than just chronicle Ismailos’ encounters with ten remarkable men and women. Extensively illuminated by clips and historical archives from the subjects’ works, they also reveal the distinctive personalities who created the timeless images that have long inspired Ismailos—and all of us. Intercutting among the filmmakers in a freely associative way, Ismailos explores each director’s artistic evolution; the role of politics and history on their work; their feelings about the other great directors who inspired them (with Bertolucci paying homage to Pasolini, Breillat to Bergman, and Haynes to Fassbinder, etc.); and the agony and ecstasy of being an artist in a medium that is, paradoxically, also an industry. (Source)
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Carrie, Samantha, Charlotte and Miranda take another bite out of the Big Apple in the sequel to the 2008 summer blockbuster. (