Oscar® winner Russell Crowe leads an all-star cast in a blistering thriller about a rising congressman and an investigative journalist embroiled in an case of seemingly unrelated, brutal murders. Crowe plays D.C. reporter Cal McCaffrey, whose street smarts lead him to untangle a mystery of murder and collusion among some of the nation’s most promising political and corporate figures in State of Play, from acclaimed director Kevin Macdonald (The Last King of Scotland).
Handsome, unflappable U.S. Congressman Stephen Collins (Ben Affleck) is the future of his political party: an honorable appointee who serves as the chairman of a committee overseeing defense spending. All eyes are upon the rising star to be his party’s contender for the upcoming presidential race. Until his research assistant/mistress is brutally murdered and buried secrets come tumbling out. (Source)
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Mike O’Donnell (Matthew Perry) was a high-school basketball star with a bright future. But he threw it all away to marry his girlfriend and raise their child. Almost 20 years later, Mike’s marriage has failed, his kids think he’s a loser, and his job is going nowhere. He gets a chance to correct the mistakes of his past and change his life when he is miraculously transformed back into a teenager (Zac Efron), but in trying to fix his past, Mike may be jeopardizing his present and future. (
Vin Diesel and Paul Walker reteam for the ultimate chapter of the franchise built on speed—Fast & Furious. Heading back to the streets where it all began, they rejoin Michelle Rodriguez and Jordana Brewster to blast muscle, tuner and exotic cars across Los Angeles and floor through the Mexican desert in the new high-octane action-thriller. When a crime brings them back to L.A., fugitive ex-con Dom Toretto (Diesel) reignites his feud with agent Brian O’Conner (Walker). But as they are forced to confront a shared enemy, Dom and Brian must give in to an uncertain new trust if they hope to outmaneuver him. And from convoy heists to precision tunnel crawls across international lines, two men will find the best way to get revenge: push the limits of what’s possible behind the wheel. (
The twenties have roared… the thirties have yet to swing. John Whittaker, a young Englishman, falls madly in love with Larita, a sexy and glamorous American woman, and they marry impetuously. However when the couple returns to the family home, his mother Mrs. Whittaker has an instant allergic reaction to her new daughter-in-law. Larita tries her best to fit in but fails to tiptoe through the minefield laid by her mother-in-law. Larita quickly realizes Mrs. Whittaker’s game and sees that she must fight back if she’s not going to lose John. A battle of wits ensues and sparks soon fly. Mrs. Whittaker manipulates every situation to undermine her, while Larita remains frustratingly calm and engineers sassy counter attacks. Before long, Mrs. Whittaker’s manipulation starts to work on John and Larita feels their love is in danger of slipping away. (
The twenties have roared… the thirties have yet to swing. John Whittaker, a young Englishman, falls madly in love with Larita, a sexy and glamorous American woman, and they marry impetuously. However when the couple returns to the family home, his mother Mrs. Whittaker has an instant allergic reaction to her new daughter-in-law. Larita tries her best to fit in but fails to tiptoe through the minefield laid by her mother-in-law. Larita quickly realizes Mrs. Whittaker’s game and sees that she must fight back if she’s not going to lose John. A battle of wits ensues and sparks soon fly. Mrs. Whittaker manipulates every situation to undermine her, while Larita remains frustratingly calm and engineers sassy counter attacks. Before long, Mrs. Whittaker’s manipulation starts to work on John and Larita feels their love is in danger of slipping away. In a grand finale, where the secrets from Larita’s past are revealed, she finally makes a break for freedom from the suffocating house….. (
In such works as “Less Than Zero” and “American Psycho” Brett Easton Ellis brilliantly dissects contemporary American society, a culture in which too much is never enough. Now, adapting his own acclaimed novel for the screen, he returns to the Los Angeles of the early 1980’s with a multi-strand narrative that deftly balances a vast array of characters who represent both the top of the heap (a Hollywood dream merchant, a dissolute rock star, an aging newscaster) and the bottom (a voyeuristic doorman, an amoral ex-con). Connecting all his intertwining strands are the quintessential Ellis protagonists-a group of beautiful, blonde young men and women who sleep all day and party all night, doing drugs-and one another-with abandon, never realizing that they are dancing on the edge of a volcano. Filmed with uncommon glamour and grit by acclaimed Australian director Gregor Jordan (“Ned Kelly,” “Buffalo Soldiers”), “The Informers” is an alternately blistering and chilling portrait of hedonism run amuck. (
Two days before his wedding, Doug and his three friends drive to Las Vegas for a blow-out bachelor party they’ll never forget. But, in fact, when the three groomsmen wake up the next morning, they can’t remember a thing. For some reason, they find a tiger in the bathroom and a six-month-old baby in the closet of their suite at Caesars Palace. The one thing they can’t find is Doug. With no clue as to what transpired and little time to spare, the trio must retrace their hazy steps and all their bad decisions in order to figure out where things went wrong and hopefully get Doug back to L.A. in time to walk down the aisle. (