Brad Pitt stars in the real-life tale of Major League Baseball general manager Billy Beane, who built up a winning team despite a decreased budget thanks to his sly use of statistical data to calculate the best — and cheapest — players for his roster. Aaron Sorkin updates Steve Zaillian’s adaptation of Michael Lewis’ fly-on-the-wall novel for Columbia Pictures, with Robin Wright, Jonah Hill, and Philip Seymour Hoffman co-starring. – Jeremy Wheeler, Rovi (Source)
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“Moneyball” is directed by Bennett Miller. The screenplay is by Steven Zaillian and Aaron Sorkin, from a story by Stan Chervin, based on the book by Michael Lewis. The film is produced by Michael De Luca, Rachael Horovitz, and Scott Rudin. (
Jack Goes Boating is a tale of love, betrayal, friendship and grace centered around two working–class New York City couples. The film stars John Ortiz (American Gangster), Daphne Rubin–Vega (Broadway’s “Rent”), Amy Ryan (Gone Baby Gone) and Philip Seymour Hoffman (Capote), with Hoffman making his feature directorial debut. Bob Glaudini (“A View From 151st Street”) adapted his acclaimed Off Broadway play for the screen. Essentially, Jack (Philip Seymour Hoffman) and Connie (Amy Ryan) are two single people who on their own might continue to recede into the anonymous background of the city, but in each other begin to find the courage and desire to pursue their budding relationship. In contrast, the couple that introduced them, Clyde (John Ortiz) and Lucy (Daphne Rubin–Vega), are confronting unresolved issues in their marriage. Jack is a limo driver with vague dreams of landing a job with the MTA and an obsession with reggae that has prompted him to begin a half–hearted attempt at growing dreadlocks. He spends most of his time hanging out with his best friend and fellow driver Clyde and Clyde’s wife Lucy. The couple set Jack up with Connie, Lucy’s co–worker at a Brooklyn funeral home. Being with Connie inspires Jack to learn to cook, pursue a new career and take swimming lessons from Clyde so he can give Connie the romantic boat ride she dreams of. But as Jack and Connie cautiously circle commitment, Clyde and Lucy’s marriage begins to disintegrate. From there, we watch as each couple comes face to face with the inevitable path of their relationship. (
Jack and Connie are two single people who on their own might continue to recede into the anonymous background of the city, but in each other begin to find the courage and desire to pursue their budding relationship. In contrast, the couple that introduced them, Clyde and Lucy are confronting unresolved issues in their marriage. Jack is a limo driver with vague dreams of landing a job with the MTA and an obsession with reggae that has prompted him to begin a half-hearted attempt at growing dreadlocks. He spends most of his time hanging out with his best friend and fellow driver Clyde and Clyde’s wife Lucy. The couple set Jack up with Connie, Lucy’s co-worker at a Brooklyn funeral home. Being with Connie inspires Jack to learn to cook, pursue a new career and take swimming lessons from Clyde so he can give Connie the romantic boat ride she dreams of. But as Jack and Connie cautiously circle commitment, Clyde and Lucy’s marriage begins to disintegrate. From there, we watch as each couple comes face to face with the inevitable path of their relationship. (
MARY AND MAX is a clayography feature film from Academy Award® winning writer/director Adam Elliot and producer Melanie Coombs, featuring the voice talents of Toni Collette, Phillip Seymour Hoffman, Barry Humphries and Eric Bana.
Rock and roll will live forever – but can it float? Pirate Radio is the newest ensemble comedy from filmmaker Richard Curtis (screenwriter of Four Weddings and a Funeral and Notting Hill, and writer/director of Love Actually), spinning the irreverent yet fact-based tale of a seafaring band of rogue rock and roll deejays whose “pirate radio” captivated and inspired 1960s Britain. Playing the music that rocked a nation and a decade, the group boldly and hilariously defies the government that tries to shut them down. Broadcasting live 24/7 from an old tanker anchored in the middle of the North Sea (just beyond British jurisdiction), Radio Rock sends out a vibrant and unifying signal to millions across the nation, ranging in age from wide-eyed pre-teens secretly tuning in long past their bedtimes to everyday people in need of a musical pick-me-up. The Radio Rock roster, overseen by unflappable station owner (and ship’s captain) Quentin (Bill Nighy), includes a risk-prone American known only as The Count (Philip Seymour Hoffman); mystic deejay royalty Gavin (Rhys Ifans); slyly amorous Dave (Nick Frost); idiosyncratic New Zealander Angus (Rhys Darby); the rarely seen Bob (Ralph Brown); the aptly named Thick Kevin (Tom Brooke); lovelorn Simon (Chris O’Dowd); ladies’ magnet Mark (Tom Wisdom); shy Harold (Ike Hamilton); reporter News John (Will Adamsdale); and lesbian ship’s cook Felicity (Katherine Parkinson). One night in 1966, Quentin’s teenaged godson Carl (Tom Sturridge) comes aboard. While Carl harbors romantic aspirations that he hopes will be fulfilled during one of the biweekly visits by Radio Rock’s prettiest fans, he also hopes to find out more about his long-absent father… As the ship sails on and rocks out, what Carl and the freewheeling, free-loving Radio Rock gang don’t know is that back in London, landlocked government minister Dormandy (Kenneth Branagh) has embarked on a vehement crusade to silence their signal – permanently. To stay afloat and keep their devoted audience plugged in, the crew will have to band together and trust in the power of music like never before. (
Rock and roll will live forever – but can it float? Pirate Radio is the newest ensemble comedy from filmmaker Richard Curtis (screenwriter of Four Weddings and a Funeral and Notting Hill, and writer/director of Love Actually), spinning the irreverent yet fact-based tale of a seafaring band of rogue rock and roll deejays whose “pirate radio” captivated and inspired 1960s Britain. Playing the music that rocked a nation and a decade, the group boldly and hilariously defies the government that tries to shut them down. Broadcasting live 24/7 from an old tanker anchored in the middle of the North Sea (just beyond British jurisdiction), Radio Rock sends out a vibrant and unifying signal to millions across the nation, ranging in age from wide-eyed pre-teens secretly tuning in long past their bedtimes to everyday people in need of a musical pick-me-up. The Radio Rock roster, overseen by unflappable station owner (and ship’s captain) Quentin (Bill Nighy), includes a risk-prone American known only as The Count (Philip Seymour Hoffman); mystic deejay royalty Gavin (Rhys Ifans); slyly amorous Dave (Nick Frost); idiosyncratic New Zealander Angus (Rhys Darby); the rarely seen Bob (Ralph Brown); the aptly named Thick Kevin (Tom Brooke); lovelorn Simon (Chris O’Dowd); ladies’ magnet Mark (Tom Wisdom); shy Harold (Ike Hamilton); reporter News John (Will Adamsdale); and lesbian ship’s cook Felicity (Katherine Parkinson). One night in 1966, Quentin’s teenaged godson Carl (Tom Sturridge) comes aboard. While Carl harbors romantic aspirations that he hopes will be fulfilled during one of the biweekly visits by Radio Rock’s prettiest fans, he also hopes to find out more about his long-absent father… As the ship sails on and rocks out, what Carl and the freewheeling, free-loving Radio Rock gang don’t know is that back in London, landlocked government minister Dormandy (Kenneth Branagh) has embarked on a vehement crusade to silence their signal – permanently. To stay afloat and keep their devoted audience plugged in, the crew will have to band together and trust in the power of music like never before. (