Rock and roll will live forever – but can it float? Pirate Radio is the newest ensemble comedy from filmmaker Richard Curtis (screenwriter of Four Weddings and a Funeral and Notting Hill, and writer/director of Love Actually), spinning the irreverent yet fact-based tale of a seafaring band of rogue rock and roll deejays whose “pirate radio” captivated and inspired 1960s Britain. Playing the music that rocked a nation and a decade, the group boldly and hilariously defies the government that tries to shut them down. Broadcasting live 24/7 from an old tanker anchored in the middle of the North Sea (just beyond British jurisdiction), Radio Rock sends out a vibrant and unifying signal to millions across the nation, ranging in age from wide-eyed pre-teens secretly tuning in long past their bedtimes to everyday people in need of a musical pick-me-up. The Radio Rock roster, overseen by unflappable station owner (and ship’s captain) Quentin (Bill Nighy), includes a risk-prone American known only as The Count (Philip Seymour Hoffman); mystic deejay royalty Gavin (Rhys Ifans); slyly amorous Dave (Nick Frost); idiosyncratic New Zealander Angus (Rhys Darby); the rarely seen Bob (Ralph Brown); the aptly named Thick Kevin (Tom Brooke); lovelorn Simon (Chris O’Dowd); ladies’ magnet Mark (Tom Wisdom); shy Harold (Ike Hamilton); reporter News John (Will Adamsdale); and lesbian ship’s cook Felicity (Katherine Parkinson). One night in 1966, Quentin’s teenaged godson Carl (Tom Sturridge) comes aboard. While Carl harbors romantic aspirations that he hopes will be fulfilled during one of the biweekly visits by Radio Rock’s prettiest fans, he also hopes to find out more about his long-absent father… As the ship sails on and rocks out, what Carl and the freewheeling, free-loving Radio Rock gang don’t know is that back in London, landlocked government minister Dormandy (Kenneth Branagh) has embarked on a vehement crusade to silence their signal – permanently. To stay afloat and keep their devoted audience plugged in, the crew will have to band together and trust in the power of music like never before. (Source)
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In Britain 1966 recently expelled student, Carl has been sent by his mother to find some direction in life by visiting his godfather, Quentin. However, Quentin is the boss of Radio Rock, a pirate radio station in the middle of the North Sea, populated by an eclectic crew of rock-and-roll deejays. Life on the North Sea is eventful. Carl discovers the opposite sex and who his real father is. Meanwhile, pirate stations have come to the attention of government minister Dormand, who is out for the blood of these lawbreakers. In an era when the stuffy corridors of power stifle anything approaching youthful exuberance, Dormand seizes the chance to score a political goal, and The Marine Broadcasting Offences Act is passed in an effort to outlaw the pirates and to remove their ghastly influence from the land once and for all. What results is a literal storm on the high seas. With Radio Rock in peril, its devoted fans rally together and stage an epic Dunkirk-style hundred-boat rescue to save their deejay heroes. Some things may come to an end, but rock and roll never dies. (
In Britain 1966 recently expelled student, Carl has been sent by his mother to find some direction in life by visiting his godfather, Quentin. However, Quentin is the boss of Radio Rock, a pirate radio station in the middle of the North Sea, populated by an eclectic crew of rock-and-roll deejays. Life on the North Sea is eventful. Carl discovers the opposite sex and who his real father is. Meanwhile, pirate stations have come to the attention of government minister Dormand, who is out for the blood of these lawbreakers. In an era when the stuffy corridors of power stifle anything approaching youthful exuberance, Dormand seizes the chance to score a political goal, and The Marine Broadcasting Offences Act is passed in an effort to outlaw the pirates and to remove their ghastly influence from the land once and for all. What results is a literal storm on the high seas. With Radio Rock in peril, its devoted fans rally together and stage an epic Dunkirk-style hundred-boat rescue to save their deejay heroes. Some things may come to an end, but rock and roll never dies. (
In the late 1960s, American radio stations blasted rock and roll 24 hours a day. But in the home country of the Beatles and the Rolling Stones, the only way 25 million people could hear their music was to tune in…to a boat. Celebrated filmmaker Richard Curtis (Four Weddings and a Funeral, Notting Hill, Bridget Jones’s Diary, Love Actually) brings the incredible story of a band of rogue deejays who captivated British radio listeners in the ’60s, playing the music that defined a generation and boldly defying the government that tried to shut them down—The Boat That Rocked. Leading the cast of the comedy are Academy Award® winner Philip Seymour Hoffman as Radio Rock’s infamous deejay The Count; Bill Nighy as the station’s owner (and ship’s captain), Quentin; Rhys Ifans as mystic deejay royalty Gavin; Nick Frost as the amorous, sarcastic disc jockey Dave; and Kenneth Branagh as the man out to silence Radio Rock, Minister Dormandy. (