Lonnie and Clover were once young idealists — destined to change the world, until an unanticipated pregnancy derailed their plans. Instead of making their mark, the pair finds themselves trapped in a bourgeois nightmare, hosting BBQs and arguing about organic diapers. Clover is in her final year of law school, while Lonnie, stuck in a nine-to-five routine, remains in a daze about the artistic lifestyle they were forced to abandon. Deciding he needs some time away from his soul-sucking job to renew his stalled aspirations, Lonnie calls in sick and creates a shocking lie to justify his absence. Swept away in a series of misadventures beyond his control, he attempts to close the Pandora’s box, but finds that it is too late. (Source)
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When they first met, Lonnie and Clover were young idealists, but an unplanned baby forced them to flip the script. Lonnie put his music on hold and got a shitty job. And now Clover is abandoning her activism for an “opportunity” in the corporate world. Drowning in disappointments, Lonnie decides he needs some time off work to reexamine his life. He calls in sick, but his abusive boss demands he show up or get fired. Lonnie panics and tells a shocking lie to justify his absence – and once the lie if out, there’s no going back. Now it’s only a matter of time before the grenade he’s thrown on his life explodes and Lonnie is suddenly pushed to figure out who he is, what he wants, and just maybe, what it means to be a father. (
What happens when the people we count on to hold us together…are barely holding it together themselves? Jonas Pate’s Shrink is a striking, fast-paced exposé of the “other” Hollywood, featuring folks living outside their comfort zone and the people who put them there. Henry Carter (Kevin Spacey) is a psychiatrist with an A-list clientele, including a once-famous actress (Saffron Burrows), an insecure young writer (Mark Webber), and a comically obsessive-compulsive superagent (Dallas Roberts). Henry is not in a good place, however. He has been asked to take his first pro bono case, a troubled teenage girl from a neighborhood far from the Hollywood hills. Considering his present state of mind, is he ready for the real-life troubles of a young woman who loves the world of movies he has become so jaded by? At its core, Shrink is a study of control and our endless need for it, even when it grows increasingly impossible to obtain. Writer Thomas Moffett uses classic archetypes in this modern Hollywood tale, but never pushes them over the edge of credibility. Performed by a well-matched cast at the top of their form, the result is both satisfying and exhilarating. Watching Shrink makes us feel like voyeurs looking through a window into the lives of people who look great, feel worse, and end up behaving badly. (