Set during the time of the first outbreak of bubonic plague in England, a young monk is tasked with learning the truth about reports of people being brought back to life in a small village. (Source)
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The year is 1348. Europe has fallen under the shadow of the Black Death. As the plague decimates all in its path, fear and superstition are rife. In this apocalyptic environment, the church is losing its grip on the people. There are rumors of a village, hidden in marshland that the plague cannot reach. There is even talk of a necromancer who leads the village and is able to bring the dead back to life. Ulric (Sean Bean), a fearsome knight, is charged by the church to investigate these rumors. He enlists the guidance of a novice monk, Osmund (Eddie Redmayne) to lead him and his band of mercenary soldiers to the marshland, but Osmund has other motives for leaving his monastery. Their journey to the village and events that unfold take them into the heart of darkness and to horrors that will put Osmunds faith in himself and his love for God to the ultimate test. (Source)
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Brett Hanson is an ex-convict, just released from prison after serving six years for manslaughter and now adrift in a world of new freedoms and responsibilities. Finding initial difficulties in reconciling himself to a troubled past, Brett crosses paths with lonely and troubled teenager Martine and her new ‘ride’ Gordy. The trio head out in the same car and direction–Martine to cut loose and get away from her family, Gordy to get closer to Martine, and Brett who must decide whether he wants to return to his troubled past and an uncertainty with May, the woman that he left behind. Once on the road, the trio find their relationships forging and changing in myriad ways, but it is Brett’s story and his need to reconcile his past to his future that drives the two young people to reassess their own passages as well. (Source)
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Brett Hanson is an ex-convict, just released from prison after serving six years for manslaughter and now adrift in a world of new freedoms and responsibilities. Finding initial difficulties in reconciling himself to a troubled past, Brett crosses paths with lonely and troubled teenager Martine and her new ‘ride’ Gordy. The trio head out in the same car and direction–Martine to cut loose and get away from her family, Gordy to get closer to Martine, and Brett who must decide whether he wants to return to his troubled past and an uncertainty with May, the woman that he left behind. Once on the road, the trio find their relationships forging and changing in myriad ways, but it is Brett’s story and his need to reconcile his past to his future that drives the two young people to reassess their own passages as well. (Source)
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A love story at its core, THE YELLOW HANDKERCHIEF is about three strangers of two generations bound by loneliness who reach out to one another. After embarking on a road trip through post Katrina Louisiana, their relationships forge and change in a myriad of ways, leading to the possibility of second chances. Brett Hanson (William Hurt) dealing with a painful past, crosses paths with a lonely and troubled teenager Martine (Kristen Stewart) and her new ‘ride’ Gordy (Eddie Redmayne). The trio head out together, each motivated by reasons of their own. Martine yearns to escape her family, Gordy hopes to get closer to Martine and Brett must decide whether he wants to return to the uncertainty of the life and the woman he left behind, his ex-wife May (Maria Bello). A deeply humanistic and emotionally rich film, THE YELLOW HANDKERCHIEF is directed by Udayan Prasad (MY SON THE FANATIC). Produced by six time Academy Award® winner Arthur Cohn (THE GARDEN OF THE FINZI-CONTINIS, ONE DAY IN SEPTEMBER). THE YELLOW HANDKERCHIEF stars Academy Award® winner William Hurt, Golden Globe® nominee Maria Bello, TWILIGHT star Kristen Stewart and Eddie Redmayne (THE GOOD SHEPHERD). The film is loosely based on a short story by renowned writer Pete Hamill. (Source)
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The true story of the Baekeland family–the inventors of Bakelite–and their descent into sexual obsession and murder. The journey is told though the dramatization of the shocking Barbara Daly Baekeland murder case, which happened in a posh London flat in 1972. (Source)
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