Star racecar Lightning McQueen and the incomparable tow truck Mater take their friendship to exciting new places when they head overseas to compete in the first-ever World Grand Prix to determine the world’s fastest car. But the road to the championship is filled with plenty of potholes, detours and hilarious surprises when Mater gets caught up in an intriguing adventure of his own: international espionage. Torn between assisting Lightning McQueen in the high-profile race and towing the line in a top-secret spy mission, Mater’s action-packed journey leads him on an explosive chase through the streets of Japan and Europe, trailed by his friends and watched by the whole world. Adding to the fast-paced fun is a colorful new all-car cast that includes secret agents, menacing villains and international racing competitors. (Source)
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“Harry Potter and the Deathly Hallows – Part 2,” is the final adventure in the Harry Potter film series. The much-anticipated motion picture event is the second of two full-length parts. In the epic finale, the battle between the good and evil forces of the wizarding world escalates into an all-out war. The stakes have never been higher and no one is safe. But it is Harry Potter who may be called upon to make the ultimate sacrifice as he draws closer to the climactic showdown with Lord Voldemort. It all ends here. (
The vacationing Chipmunks and Chipettes are turning a luxury cruise liner into their personal playground, until they become ‘chipwrecked’ on a remote island. As the ‘Munks and Chipettes try various schemes to find their way home, they accidentally discover their new turf is not as deserted as it seems. (
Best friends Woodrow and Aiden spend all of their free time building Mad Max-inspired flamethrowers and muscle cars in preparation for a global apocalypse. But when Woodrow meets a charismatic young woman and falls hard in love, he and Aiden quickly integrate into a new group of friends, setting off on a journey of love and hate, betrayal, infidelity and extreme violence more devastating and fiery than any of their apocalyptic fantasies. (
“Moneyball” is directed by Bennett Miller. The screenplay is by Steven Zaillian and Aaron Sorkin, from a story by Stan Chervin, based on the book by Michael Lewis. The film is produced by Michael De Luca, Rachael Horovitz, and Scott Rudin. (
Until he was downsized, affable, amiable Larry Crowne was a superstar team leader at the big-box company where he’s worked since his time in the Navy. Underwater on his mortgage and unclear on what to do with his suddenly free days, Larry heads to his local college to start over. There he becomes part of a colorful community of outcasts, also-rans and the overlooked all trying to find a better future for themselves… often moving around town in a herd of scooters. In his public-speaking class, Larry develops an unexpected crush on his teacher Mercedes Tainot, who has lost as much passion for teaching as she has for her husband.
Inspired by the remarkable true story of a courageous dolphin named Winter and the compassionate people who banded together to save her life. (
Andrew Rossi’s riveting documentary Page One: Inside The New York Times had its World Premiere at the Sundance Film Festival, and was acquired by Magnolia Pictures and Participant Media for theatrical release this June. In the tradition of great fly-on-the-wall documentaries, the film deftly gains unprecedented access to the New York Times newsroom and the inner workings of the Media Desk. With the Internet surpassing print as our main news source and newspapers all over the country going bankrupt, Page One chronicles the transformation of the media industry at its time of greatest turmoil. Writers like Brian Stelter, Tim Arango and the salty but brilliant David Carr track print journalism’s metamorphosis even as their own paper struggles to stay vital and solvent, while their editors and publishers grapple with up-to-the-minute issues like controversial new sources and the implications of an online pay-wall. Meanwhile, rigorous journalism is thriving–Page One gives us an up-close look at the vibrant cross-cubicle debates and collaborations, tenacious jockeying for on-record quotes, and skillful page-one pitching that brings the most venerable newspaper in America to fruition each and every day. (