Ryan Reynolds and Jason Bateman star in The Change-Up, from director David Dobkin (Wedding Crashers), writers Jon Lucas & Scott Moore (The Hangover) and producer Neal Moritz (Fast & Furious, Click). The R-rated comedy takes the traditional body-switching movie, ties it up tightly and throws it off a cliff. Growing up together, Mitch (Reynolds) and Dave (Bateman) were inseparable best friends, but as the years have passed they’ve slowly drifted apart. While Dave is an overworked lawyer, husband and father of three, Mitch has remained a single, quasi-employed man-child who has never met a responsibility he liked. To Mitch, Dave has it all: beautiful wife Jamie (Leslie Mann), kids who adore him and a high-paying job at a prestigious law firm. To Dave, living Mitch’s stress free life without obligation or consequence would be a dream come true. Following a drunken night out together, Mitch and Dave’s worlds are turned upside down when they wake up in each other’s bodies and proceed to freak the &*#@ out. Despite the freedom from their normal routines and habits, the guys soon discover that each other’s lives are nowhere near as rosy as they once seemed. Further complicating matters are Dave’s sexy legal associate, Sabrina (Olivia Wilde), and Mitch’s estranged father (Alan Arkin). With time not on their side, Mitch and Dave comically struggle to avoid completely destroying each other’s lives before they can find a way to get their old ones back. (Source)
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An ex-Navy seal, Niles (Mehcad Brooks, True Blood), his girlfriend Emily (Serinda Swan, Tron) and their friends head out on a road trip to New Orleans. When the group decides to stop at a roadside convenience store owned by Chopper (Sid Haig, Devils Rejects) they are introduced to the legend of Lockjaw, a Creature who is part man, part alligator…The Legend has it that an inbred local man by the name of Grimley (Daniel Bernhardt, The Matrix: Reloaded), lost his family to a monstrous white alligator, and because of the devastating loss of his family was driven to madness and was transformed into the Creature. Their curiosity peaked, the group decides to head deeper into the swamps to check out the birthplace of this Creature legend. As they journey further into the backwoods the group arrives at an old dilapidated cabin and decide to camp there for the night and inadvertently unleash the Creature who terrorizes the group. (
In 1964, Ken Kesey, the famed author of “One Flew Over the Cuckoo’s Nest,” set off on a legendary, LSD-fuelled cross-country road trip to the New York World’s Fair. He was joined by “The Merry Band of Pranksters,” a renegade group of counterculture truth-seekers, including Neal Cassady, the American icon immortalized in Kerouac’s “On the Road,” and the driver and painter of the psychedelic Magic Bus. Kesey and the Pranksters intended to make a documentary about their trip, shooting footage on 16MM, but the film was never finished and the footage has remained virtually unseen. With MAGIC TRIP, Academy Award-winning filmmaker Alex Gibney (Taxi to the Dark Side) and co-director Alison Ellwood were given unprecedented access to this raw footage by the Kesey family. They worked with the Film Foundation, HISTORY and the UCLA Film Archives to restore over 100 hours of film and audiotape, and have shaped an invaluable document of this extraordinary piece of American history. (
Coco (Hendler) has just moved to a new apartment with his wife Pipi (Stuart), who’s seven months pregnant. At first, they don’t seem to notice the growing chaos around them, but when authorities quarantine their building after a deadly pandemic breaks out, Coco joins forces with his off-kilter, but well-prepared and stocked next-door neighbor Horacio to defend his refrigerator and keep Pipi safe. Meanwhile, outside the building, Buenos Aires, and the world as the apartment denizens know it, is disappearing. The world is ending; got ammo? (
From the director of About a Boy comes A BETTER LIFE — a touching, poignant, multi-generational story about a father’s love and the lengths a parent will go to give his child the opportunities he never had. (
Jack Sadelstein, a successful advertising executive in Los Angeles with a beautiful wife and kids, who dreads one event each year: the Thanksgiving visit of his identical twin sister Jill. Jill’s neediness and passive-aggressiveness is maddening to Jack, turning his normally tranquil life upside down. (
The animals at the Franklin Park Zoo love their kindhearted caretaker, Griffin Keyes. Finding himself more comfortable with a lion than a lady, Griffin decides the only way to get a girl in his life is to leave the zoo and find a more glamorous job. The animals, in a panic, decide to break their time-honored code of silence and reveal their biggest secret: they can talk! To keep Griffin from leaving, they decide to teach him the rules of courtship – animal style. (
The story of Nim, the chimpanzee who in the 1970s became the focus of a landmark experiment which aimed to show that an ape could learn to communicate with language if raised and nurtured like a human child. Following Nim's extraordinary journey through human society, and the enduring impact he makes on the people he meets along the way, the film is an unflinching and unsentimental biography of an animal we tried to make human. What we learn about his true nature – and indeed our own – is comic, revealing and profoundly unsettling. (
Annabel Cotton is a beautiful and charming terminal cancer patient with a deep felt love of life and the natural world. Enoch Brae is a young man who has dropped out of the business of living, after an accident claimed the life of his parents. When these two outsiders chance to meet at a funeral, they find an unexpected common ground in their unique experiences of the world. For Enoch, it includes his best friend Hiroshi who happens to be the ghost of a Kamikaze fighter pilot. For Annabel, it involves an admiration of Charles Darwin and an interest in how other creatures live. Upon learning of Annabel’s imminent early passing, Enoch offers to help her face her last days with an irreverent abandon, tempting fate, tradition and even death itself.
After three years in prison, Enrique returns home to the Bronx to find the world he knew has changed. His wife, Angela, struggles to hide an emotional affair, and his teenage son Michael, explores a sexual transformation well beyond Enrique’s grasp and understanding. Unable to accept his child, Enrique clings to his masculine ideals while Angela attempts to hold the family together by protecting Michael. Still under the watchful eye of his parole officer, Enrique must become the father he needs to be or, once again, risk losing his family and freedom. Can a father’s fierce love for his family overcome his street-hardened ideas about manhood and end the vicious cycle controlling his life? (