Samuel (Lellouche) is a happily married nurse working in a Paris hospital. When his very pregnant wife (Anaya) is kidnapped before his helpless eyes, everything falls apart. After being knocked unconscious, he comes to and his cell phone rings: he has three hours to get Sartet (Zem), a man under police surveillance, out of the hospital. Shot on location in wide lens, POINT BLANK is an exhilarating non-stop ride through Paris’ streets, subways, hospitals, warehouses, and police stations, as Samuel quickly finds himself pitted against rival gangsters and trigger-happy police in a deadly race to save the lives of his wife and unborn child. (Source)
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For six months of the year, renowned Spanish chef Ferran Adria closes his restaurant El Bulli — repeatedly voted the world’s best — and works with his culinary team to prepare the menu for the next season. An elegant, detailed study of food as avant-garde art, EL BULLI: COOKING IN PROGRESS is a rare inside look at some of the world’s most innovative and exciting cooking; as Adria himself puts it, “the more bewilderment, the better!” (
The story of Nim, the chimpanzee who in the 1970s became the focus of a landmark experiment which aimed to show that an ape could learn to communicate with language if raised and nurtured like a human child. Following Nim's extraordinary journey through human society, and the enduring impact he makes on the people he meets along the way, the film is an unflinching and unsentimental biography of an animal we tried to make human. What we learn about his true nature – and indeed our own – is comic, revealing and profoundly unsettling. (
Raul Ruiz’s masterful adaptation of the eponymous nineteenth-century Portuguese novel (by Camilo Castelo Branco) evokes the complex intertwined narratives of Victor Hugo and Charles Dickens. The core story centers on Joao, the bastard child of an ill-fated romance between two members of the aristocracy who are forbidden to marry, and his quest to discover the truth of his parentage. But this is just the start of an engrossing tale that follows a multitude of characters whose fates conjoin, separate and then rejoin again over three decades in Portugal, Spain, France and Italy. (
Senna’s remarkable story, charting his physical and spiritual achievements on the track and off, his quest for perfection, and the mythical status he has since attained, is the subject of SENNA, a documentary feature that spans the racing legend’s years as an F1 driver, from his opening season in 1984 to his untimely death a decade later. Far more than a film for F1 fans, SENNA unfolds a remarkable story in a remarkable manner, eschewing many standard documentary techniques in favor of a more cinematic approach that makes full use of astounding footage, much of which is drawn from F1 archives and previously unseen. (
Neighbors Spencer and Louise have bonded over their fascination with a recent string of murders terrorizing their community. When a new tenant named Victor arrives in the building, all three quickly hit it off. But as they soon discover, each of them has their own dark secret. As the violence outside mounts, the city retreats indoors for safety. But the more time these three spend together in their apartment building, the clearer it becomes that what they once thought of as a safe haven is as dangerous as any outside terrors they could imagine. (
Baya Benmahmoud, a young, extroverted liberal, lives by the old hippie slogan: “Make love, not war” to convert right-wing men to her left-wing political causes by sleeping with them. She seduces many and so far has received exceptional results – until she meets Arthur Martin, a Jewish middle aged, middle-of-the road scientist. Bound by common tragic family histories (the Algerian War and Holocaust under Vichy), the duo improbably fall in love. (
Baya Benmahmoud, a young, extroverted liberal, lives by the old hippie slogan: “Make love, not war” to convert right-wing men to her left-wing political causes by sleeping with them. She seduces many and so far has received exceptional results – until she meets Arthur Martin, a Jewish middle aged, middle-of-the road scientist. Bound by common tragic family histories (the Algerian War and Holocaust under Vichy), the duo improbably fall in love. (
French provocateur Catherine Breillat (Fat Girl, Bluebeard) continues her deconstruction of classic fairytales with her latest, The Sleeping Beauty. Cursed at birth by an evil fairy, Anastasia is destined to prick her finger and die at the age of sixteen. When three feckless fairy sisters discover this they hatch a plan to alter the curse: rather than die, Anastasia will sleep for 100 years. While in slumber, Anastasia comes of age through a series of vivid dreams, filled with charming princes, dwarves, gypsies and magical creatures. When she reawakens a fully-formed adolescent, she finds that in real life, happy endings are more elusive than in our fantasies. Beautifully designed by Francois-Renaud Labarthe and photographed by the great Denis Lenoir (Carlos), this constantly surprising, thought-provoking investigation of the female psyche reaffirms Breillat as one of the most inventive and risk-taking of contemporary French auteurs. (