The as-yet-untitled film will explore the root causes of the global economic meltdown and take a comical look at the corporate and political shenanigans that culminated in what Moore has described as “the biggest robbery in the history of this country” — the massive transfer of U.S. taxpayer money to private financial institutions. (Source)
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Not Quite Hollywood is the wild, wonderful, untold story of “OZPLOITATION” films. It irreverently documents an era when Australian cinema got its gear off and showed the world a full-frontal explosion of sex, violence, horror and foot-to-the-floor action. Free-wheeling sex romps! Blood-soaked terror tales! High-octane action extravaganzas! They’re the main ingredients of Not Quite Hollywood, the first detailed examination and celebration of Australian genre cinema of the ’70s and ’80s. In 1971, with the introduction of the R-certificate, Australia’s censorship regime went from repressive to progressive virtually overnight. This cultural explosion gave birth to art house classics, such as Picnic at Hanging Rock and My Brilliant Career, but also spawned a group of demon-children: maverick filmmakers who braved assault from all quarters to bring films like Alvin Purple, The Man From Hong Kong, Patrick, Turkey Shoot and Mad Max to the big screen. As explicit, violent and energetic as their northern cousins, Aussie genre movies presented a unique take on established conventions. In England, Italy and the grind houses and drive-ins of America, audiences applauded Australian homegrown marauding “rev heads” with brutish cars, spunky well-stacked heroines and stunts — unparalleled in their quality and extreme danger. Full of outrageous anecdotes, a large cast of local and International names and a genuine, infectious love of Australian movies, Not Quite Hollywood is a fast-moving journey through an unjustly forgotten cinematic era. (Source)
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Narrated by Ted Danson and based on the book by Charles Clover, THE END OF THE LINE explores the devastating effect that overfishing is having on fish stocks and the health of our oceans. Scientists predict that if we continue fishing at the current rate, the planet will completely run out of fish by 2048. (Source)
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Filmmaker Robert Kenner lifts the veil on our nation’s food industry, exposing the highly mechanized underbelly that’s been hidden from the American consumer with the consent of our government’s regulatory agencies, USDA and FDA. Our nation’s food supply is now controlled by a handful of corporations that often put profit ahead of consumer health, the livelihood of the American farmer, the safety of workers and our own environment. We have bigger-breasted chickens, the perfect pork chop, insecticide-resistant soybean seeds, even tomatoes that won’t go bad, but we also have new strains of e coli–the harmful bacteria that causes illness for an estimated 73,000 Americans annually. (Source)
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The history of the electric guitar as seen from the point of view of three significant musicians: Led Zeppelin’s Jimmy Page, U2’s The Edge and the White Stripes’ Jack White. It tells the personal stories, of three generations of electric guitar virtuosos. It reveals how each developed his unique sound and style of playing his favorite instrument. Concentrating on the artist’s musical rebellion, traveling with him to influential locations and provoking rare discussion as to how and why he writes and plays. (Source)
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In Food, Inc., filmmaker Robert Kenner lifts the veil on our nation’s food industry, exposing the highly mechanized underbelly that’s been hidden from the American consumer with the consent of our government’s regulatory agencies, USDA and FDA. Our nation’s food supply is now controlled by a handful of corporations that often put profit ahead of consumer health, the livelihood of the American farmer, the safety of workers and our own environment. Food, Inc. reveals surprising — and often shocking truths — about what we eat, how it’s produced, who we have become as a nation and where we are going from here. (Source)
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Pressure Cooker highlights two semesters in the culinary arts class of Wilma Stephenson, an irreverent high school teacher in Northeast Philadelphia whose no-holds-barred teaching style helps her students earn scholarships to college. Mrs. Stephenson spells it out on the first day of school by telling the newcomers that 11 members of last year’s class earned over three quarters of a million dollars in scholarships, a staggering amount. She offers her students her version of the American Dream: You choose a realistic goal. You work hard. You work the system. You get out of Northeast Philly. (Source)
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“the boys: the sherman brothers’ story” is a feature-length documentary about the Sherman Brothers, the astoundingly prolific Academy Award(r)-winning songwriting team whose successful professional collaboration in family entertainment masked the brothers’ escalating personal differences throughout their six-decade partnership. (Source)
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Nearly three-quarters of the earth’s surface is covered by oceans. French co-directors Jacques Perrin and Jacques Cluzaud have set out to capture the full expanse of these waters that have played such a crucial and constant role in the history and sustenance of man. The deep and abundant oceans are places of great mysteries and dangers that this film will dare to explore (Source)
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In 1974, the most celebrated American R&B acts of the time came together with the most renowned musical groups in Africa for a 12-hour, three-night long concert held in Kinshasa, Zaire. The dream-child of Hugh Masekela and Stewart Levine, this music festival became a reality when they convinced boxing promoter Don King to combine the event with “The Rumble in the Jungle,” the epic fight between Muhammad Ali and George Foreman, previously chronicled in the Academy Award-winning documentary WHEN WE WERE KINGS. SOUL POWER is a verité documentary about this legendary music festival (dubbed “Zaire ‘74”), and it depicts the experiences and performances of such musical luminaries as James Brown, BB King, Bill Withers, Celia Cruz, among a host of others. At the peak of their talents and the height of their careers, these artists were inspired by this return to their African roots, as well as the enthusiasm of the Zairian audience, to give the performances of their lives. The concert has achieved mythological significance as the definitive Africa(n)-American musical event of the 20th Century. SOUL POWER is crafted from the extensive “outtakes” that remained after making WHEN WE WERE KINGS, which documented the epic title fight, but relegated the music festival to a small, supporting role. The “outtakes” have remained vaulted for the past 34 years, until now. Lensed primarily by celebrated cinematographers Albert Maysles, Paul Goldsmith, Kevin Keating and Roderick Young, SOUL POWER finally provides today’s audience the opportunity to experience this historic musical event in all of its magnificent, filmed glory. (Source)
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