NOT QUITE HOLLYWOOD is the wild, wonderful, untold story of “OZPLOITATION” films. It irreverently documents an era when Australian cinema got its gear off and showed the world a full-frontal explosion of sex, violence, horror and foot-to-the-floor action. Free-wheeling sex romps! Blood-soaked terror tales! High-octane action extravaganzas! They’re the main ingredients of NOT QUITE HOLLYWOOD, the first detailed examination and celebration of Australian genre cinema of the 70s and 80s. In 1971, with the introduction of the R-certificate, Australia’s censorship regime went from repressive to progressive virtually overnight. This cultural explosion gave birth to art house classics, such as PICNIC AT HANGING ROCK and MY BRILLIANT CAREER, but also spawned a group of demon-children: maverick filmmakers who braved assault from all quarters to bring films like ALVIN PURPLE, THE MAN FROM HONG KONG, PATRICK, TURKEY SHOOT and MAD MAX to the big screen. As explicit, violent and energetic as their northern cousins, Aussie genre movies presented a unique take on established conventions. In England, Italy and the grind houses and drive-ins of America, audiences applauded Australian homegrown marauding “rev heads” with brutish cars, spunky well-stacked heroines and stunts – unparalleled in their quality and extreme danger. Full of outrageous anecdotes, a large cast of local and International names and a genuine, infectious love of Australian movies, NOT QUITE HOLLYWOOD is a fast-moving journey through an unjustly forgotten cinematic era. (Source)
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WALT & EL GRUPO chronicles the amazing ten-week trip that Walt Disney and his hand-picked group of artists and filmmaking talent (later known as “El Grupo”) took to South America in 1941 at the behest of the U.S. Government as part of the Good Neighbor Policy. Within just three short years after the phenomenal success of “Snow White and the Seven Dwarfs,” the Walt Disney Studios experienced a chain of financial challenges that ultimately led to the infamous animators strike. Also during this time, the Roosevelt administration had growing concerns about Nazi and Fascist influence in Latin America, and the rest of the world was slipping further into war. In stark contrast to these trying times, Disney and his colorful group of artists found themselves on a lively trip full of hope and discovery as they explored various South American cities, spending the majority of their time in the countries of Argentina, Brazil and Chile. The group was saddled with an unusual assignment – while gathering story material, immersing themselves in the culture, befriending local artists, meeting political leaders and attending countless functions, their journey was also a de facto diplomatic mission, and as a result, the studio produced the classic films “Saludos Amigos” and “The Three Caballeros.” Shot on film in five countries, WALT & EL GRUPO is a tale that still resonates on both sides of the equator. The film time travels in Walt Disney’s footsteps through the use of personal letters and stunning artwork from the trip, remembrances by descendants and survivors, and extraordinary never-before-seen footage. WALT & EL GRUPO brings together an intertwined story of art and politics, the poignancy of a bygone age, and a legendary artist during one of his most trying times. (
In a sleepy lagoon off the coast of Japan lies a shocking secret that a few desperate men will stop at nothing to keep hidden from the world. In Taiji, Japan, former dolphin trainer Ric O’Barry has come to set things right after a long search for redemption. In the 1960s, it was O’Barry who captured and trained the 5 dolphins who played the title character in the international television sensation “Flipper.” One fateful day, a heartbroken Barry came to realize that these deeply sensitive, highly intelligent and self-aware creatures must never be subjected to human captivity again. This mission has brought him to Taiji, a town that appears to be devoted to the wonders and mysteries of the sleek, playful dolphins and whales that swim off their coast. But in a remote, glistening cove, surrounded by barbed wire and “Keep Out” signs, lies a dark reality. It is here, under cover of night, that the fishermen of Taiji, driven by a multi-billion dollar dolphin entertainment industry and an underhanded market for mercury-tainted dolphin meat, engage in an unseen hunt. The nature of what they do is so chilling and the consequences are so dangerous to human health that they will go to great lengths to halt anyone from seeing it. (
Anna Wintour, the legendary editor-in-chief of Vogue magazine for twenty years, is the most powerful and polarizing figure in fashion. Hidden behind her trademark bob and sunglasses, she has never allowed anyone to scrutinize the inner workings of her magazine. Until now. With unprecedented access, filmmaker R.J. Cutler’s new film THE SEPTEMBER ISSUE does for fashion what he did for politics in The War Room, taking the viewer inside a world they only think they know. Every August a record-breaking number of people can’t wait to get their hands on the September issue of Vogue. The 2007 issue was and remains the biggest ever, weighing over four pounds, selling thirteen million copies, and impacting the $300-billion global fashion industry more than any other single publication. An intimate, funny and surprising look at Anna Wintour and her team of larger-than-life editors as they create this must-have Bible of fashion, Cutler explores the untouchable glamour of Wintour’s Vogue to reveal the extraordinarily passionate people at its heart. He takes us behind the scenes at Fashion Week, to Europe, on shoots and reshoots, and into closed-door staff meetings, bearing witness to an arduous, entertaining, and sometimes emotionally demanding process. At the eye of this annual fashion hurricane is the two-decade relationship between Wintour and Grace Coddington, incomparable Creative Director and fashion genius. They are perfectly matched for the age-old conflict between creator and curator. Through them, we see close-up the delicate creative chemistry it takes to remain at the top of the ever-changing fashion field. (
Three years in the making, this riveting new documentary from acclaimed filmmaker Joe Berlinger (Brother’s Keeper, Paradise Lost, Metallica: Some Kind of Monster) tells the epic story of one of the largest and most controversial legal cases on the planet. An inside look at the infamous $27 billion “Amazon Chernobyl” case, Crude is a real-life, high stakes legal drama involving global politics, the environmental movement, celebrity activism, human rights advocacy, multinational corporate power, and the fate of disappearing indigenous cultures. Subverting the conventions of advocacy filmmaking, this award-winning film explores a complex situation from all angles, bringing an important story of environmental peril and human suffering into focus. “Rarely have such conflicts been examined with the depth and power of Joe Berlinger‚s documentary Crude. These real characters and events play out on the screen like a sprawling legal thriller.” – Stephen Holden, The New York Times (
Wild Ocean is in an uplifting, giant screen cinema experience capturing one of nature’s greatest migration spectacles. Plunge into an underwater feeding frenzy, amidst the dolphins, sharks, whales, gannets, seals and billions of fish. Filmed off the Wild Coast of South Africa, Wild Ocean is a timely documentary that celebrates the animals that now depend on us to survive and the efforts by the local people to protect this invaluable ecological resource. Hope is alive on the Wild Coast, where Africa meets the sea. Wild Ocean is presented by Nokia. (
Bloods, Crips, College? Passionate principal of an inner-city high school inspires dueling gangs to relinquish their weapons for education’s sake. Before 1960, one of the most prestigious schools in the country, the older Jewish and current African-American alumni cross cultures and join in raising funds for college in order to return their alma mater to its former glory. (
A critic and audience crowd-pleaser when it premiered at the 2008 Tribeca Film Festival, GOTTA DANCE, captures the adventures of the New Jersey NETSationals, the first-ever, seniors hip-hop dance team. Directed and produced by Dori Berinstein, GOTTA DANCE follows 12 women and one man, all dance newbies, from auditions to center court stardom!
In the 1960’s, Richard O’Barry was the world’s leading authority on dolphin training, working on the set of the popular television program Flipper. Day in and day out, O’Barry kept the dolphins working and television audiences smiling. But one day, that all came to a tragic end. THE COVE, directed by Louie Psihoyos, tells the amazing true story of how Psihoyos, O’Barry and an elite team of activists, filmmakers and freedivers embarked on a covert mission to penetrate a hidden cove in Japan, shining light on a dark and deadly secret. The mysteries they uncovered were only the tip of the iceberg. (
Author Colin Beavan, in research for his new book, began the No Impact Project in November 2006. A newly self-proclaimed environmentalist who could no longer avoid pointing the finger at himself, Colin leaves behind his liberal complacency for a vow to make as little environmental impact as possible for one year. No more automated transportation, no more electricity, no more non-local food, no more material consumption… no problem. That is, until his espresso-guzzling, retail-worshipping wife Michelle and their two year-old daughter are dragged into the fray. Laura Gabbert and Justin Schein’s film provides a front row seat into the familial strains and strengthened bonds that result from Colin’s and Michelle’s struggle with this radical lifestyle change. (