Witness the transformation of an ex-convict into a community leader. From life as a hustler to life as a responsible father, Robert Childs walks us through the realities of the “Price of Life.” Childs is the voice of ex-offenders who give up life on the street to repay their debt to their children and to society. (Source)
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The story of three animal families and their amazing journeys across the planet we all call home. The film combines rare action, unimaginable scale and impossible locations by capturing the most intimate moments of our planet’s wildest and most elusive creatures. (Source)
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Capitalism: A Love Story, Michael Moore’s new documentary, will be release by Overture Films on October 2, 2009. Capitalism will explore the root causes of the global economic meltdown and take a comical look at the corporate and political shenanigans that culminated in what Moore described as “the biggest robbery in the history of this country” – the massive transfer of U.S. taxpayer money to private financial institutions. Moore has made three of the top six highest-grossing documentaries of all time including Cannes Palme d’Or winner Fahrenheit 9/11, 2008 Academy Award(r) nominee Sicko, and Bowling for Columbine, the Academy Award(r) winner for Best Documentary in 2003. His debut film was 1989’s groundbreaking Roger and Me. (Source)
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The as-yet-untitled film will explore the root causes of the global economic meltdown and take a comical look at the corporate and political shenanigans that culminated in what Moore has described as “the biggest robbery in the history of this country” — the massive transfer of U.S. taxpayer money to private financial institutions. (Source)
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Each August, fashion mavens look forward to getting their hands on a copy of Vogue magazine’s fall issue. Filmmaker R.J. Cutler gains unprecedented access to the inner workings of this fashion bible as Anna Wintour, the magazine’s legendary editor-in-chief, and her staff carry out the massive preparations necessary to produce the issue. (Source)
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Each August, fashion mavens look forward to getting their hands on a copy of Vogue magazine’s fall issue. Filmmaker R.J. Cutler gains unprecedented access to the inner workings of this fashion bible as Anna Wintour, the magazine’s legendary editor-in-chief, and her staff carry out the massive preparations necessary to produce the issue. (Source)
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This documentary reveals the work and wisdom of some of the most influential advertising creatives of our time — people who’ve profoundly impacted our culture, yet are virtually unknown outside their industry. Exploding forth from advertising’s “creative revolution” of the 1960s, these artists and writers all brought a surprisingly rebellious spirit to their work in a business more often associated with mediocrity or manipulation: George Lois, Mary Wells, Dan Wieden, Lee Clow, Hal Riney and others featured in the film were responsible for “Just Do It,” “I Love NY,” “Where’s the Beef?,” “Got Milk,” “Think Different,” and brilliant campaigns for everything from cars to presidents. They managed to grab the attention of millions and truly move them. Visually interwoven with their stories, TV satellites are launched, billboards are erected, and the social and cultural impact of their ads are brought to light in this dynamic exploration of art, commerce, and human emotion. (Source)
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Anna Wintour, the legendary editor-in-chief of Vogue magazine for twenty years, is the most powerful and polarizing figure in fashion. Hidden behind her trademark bob and sunglasses, she has never allowed anyone to scrutinize the inner workings of her magazine. Until now. With unprecedented access, filmmaker R.J. Cutler’s new film THE SEPTEMBER ISSUE does for fashion what he did for politics in The War Room, taking the viewer inside a world they only think they know. Every August a record-breaking number of people can’t wait to get their hands on the September issue of Vogue. The 2007 issue was and remains the biggest ever, weighing over four pounds, selling thirteen million copies, and impacting the $300-billion global fashion industry more than any other single publication. An intimate, funny and surprising look at Anna Wintour and her team of larger-than-life editors as they create this must-have Bible of fashion, Cutler explores the untouchable glamour of Wintour’s Vogue to reveal the extraordinarily passionate people at its heart. He takes us behind the scenes at Fashion Week, to Europe, on shoots and reshoots, and into closed-door staff meetings, bearing witness to an arduous, entertaining, and sometimes emotionally demanding process. At the eye of this annual fashion hurricane is the two-decade relationship between Wintour and Grace Coddington, incomparable Creative Director and fashion genius. They are perfectly matched for the age-old conflict between creator and curator. Through them, we see close-up the delicate creative chemistry it takes to remain at the top of the ever-changing fashion field. (Source)
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This new IMAX adventure transports moviegoers to some of the most exotic and isolated undersea locations on Earth, including Southern Australia, New Guinea and others in the Indo-Pacific region, allowing them to experience face-to-face encounters with some of the most mysterious and stunning creatures of the sea. It offers a uniquely inspirational and entertaining way to explore the beauty and natural wonder of the oceans, as well as the impact of global climate change. In IMAX 3D, the images will literally leap off the screen and float around the theatre, putting the audience in the movie. (Source)
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This new IMAX adventure transports moviegoers to some of the most exotic and isolated undersea locations on Earth, including Southern Australia, New Guinea and others in the Indo-Pacific region, allowing them to experience face-to-face encounters with some of the most mysterious and stunning creatures of the sea. It offers a uniquely inspirational and entertaining way to explore the beauty and natural wonder of the oceans, as well as the impact of global climate change. In IMAX 3D, the images will literally leap off the screen and float around the theatre, putting the audience in the movie. (Source)
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