Online lies lead to murder in real life, as a teenage vixen (screen name ‘talhotblond’) lures men into her online web, with deadly results. (Source)
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Everybody loves… BABIES. This visually stunning new movie simultaneously follows four babies around the world – from first breath to first steps. From Mongolia to Namibia to San Francisco to Tokyo, BABIES joyfully captures on film the earliest stages of the journey of humanity that are at once unique and universal to us all. (Source)
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Simultaneously follows four babies around the world — from birth to first steps. The children are, respectively, in order of on-screen introduction: Ponijao, who lives with her family near Opuwo, Namibia; Bayarjargal, who resides with his family in Mongolia, near Bayanchandmani; Mari, who lives with her family in Tokyo, Japan; and Hattie, who resides with her family in the United States, in San Francisco. (Source)
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Beneath the surface of the sea, on the other side of the mirror, life’s primitive harmony reaches down to unsullied depths. The film sets out to meet the creatures of the sea: those that are known and the many that still have to be discovered. It is a venture into the fullness of the sea to show how prodigiously it teems with life, and into the deepest ocean beds to meet living fossils that belong to world prehistory. Follows the whiplash turns of a shark, the speedy swimming of a swordfish and the gliding manta ray. Explores the dens of giant cod, spiny monkfish, orange roughy and the giant squid in their natural habitats. (Source)
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Michael Jackson’s THIS IS IT will offer Jackson fans and music lovers worldwide a rare, behind-the-scenes look at the performer as he developed, created and rehearsed for his sold-out concerts that would have taken place beginning this summer in London’s O2 Arena. Chronicling the months from April through June, 2009, the film is produced with the full support of the Estate of Michael Jackson and drawn from more than one hundred hours of behind-the-scenes footage, featuring Jackson rehearsing a number of his songs for the show. Audiences will be given a privileged and private look at Jackson up close and personal. In raw and candid detail, Michael Jackson’s THIS IS IT captures the singer, dancer, filmmaker, architect, creative genius and great artist at work as he creates and perfects his final show. Kenny Ortega, who was both Michael Jackson’s creative partner and the director of the stage show is also directing the film, which is being produced by Randy Phillips, Kenny Ortega and Paul Gongaware. Executive producers are John Branca and John McClain. The film will be distributed worldwide by Sony Pictures Releasing. Tickets for the limited two-week engagement of the film go on sale beginning September 27. (Source)
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A look at the life of Michael Ruppert, a former Los Angeles police officer turned independent reporter. Michael predicted the current financial crisis in his self-published newsletter, “From the Wilderness”, at a time when most Wall Street and Washington analysts were still in denial. He draws upon the same news reports and data available to any Internet user, but Michael applies his own unique interpretation. (Source)
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A rare glimpse into the final days of Michael Jackson, the documentary is compiled from an estimated 80 hours of rehearsal and behind-the-scenes footage of the legendary entertainer preparing for his 50 sold-out shows at London’s O2 Arena that were scheduled to commence in July 2009 before his untimely death in June at age 50. Interviews with collaborators and close friends of the late performer are also featured. (Source)
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A rare glimpse into the final days of Michael Jackson, the documentary is compiled from an estimated 80 hours of rehearsal and behind-the-scenes footage of the legendary entertainer preparing for his 50 sold-out shows at London’s O2 Arena that were scheduled to commence in July 2009 before his untimely death in June at age 50. Interviews with collaborators and close friends of the late performer are also featured. (Source)
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“I don’t think most people really understood that they were in a casino” says award-winning financial reporter Mark Pittman. “When you’re in the Street’s casino, you’ve got to play by their rules.” This film finally explains how and why over $12 trillion of our money vanished into the American Casino. For chips, the casino used real people, like the ones we meet in Baltimore. These are not the heedless spendthrifts of Wall Street legend, but a high school teacher, a therapist, a minister of the church. They were sold on the American Dream as a safe investment. Too late, they discovered the truth. Cruelly, as African – Americans, they and other minorities were the prime targets for the subprime loans that powered the casino. According to the Federal Reserve, African-Americans were four times more likely than whites to be sold subprime loans. We meet the players. A banker explains that the complex securities he designed were “fourth dimensional” and sold to “idiots.” A senior Wall Street ratings agency executive describes being ordered to “guess” the worth of billion dollar securities. A mortgage loan salesman explains how borrowers’ incomes were inflated to justify a loan. A billionaire describes how he made a massive bet that people would lose their homes and has won $500 million, so far. Finally, as the global financial system crumbles and outraged but impotent lawmakers fume at Wall Street titans, we see the casino’s endgame: Riverside, California a foreclosure wasteland given over to colonies of rats and methamphetamine labs, where disease-bearing mosquitoes breed in their millions on the stagnant swimming pools of yesterday’s dreams. Filmed over twelve months in 2008, American Casino takes you inside a game that our grandchildren never wanted to play. (Source)
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Americans generally like to hear good news. They like to believe that a new President will right old wrongs, that clean energy will replace dirty oil, and that fresh thinking will set the economy straight. American pundits tend to restrain their pessimism and to hope for the best. But is anyone prepared for the worst? Michael Ruppert is a different kind of American. A former Los Angeles police officer turned independent reporter, he predicted the current financial crisis in his self-published newsletter “From the Wilderness” at a time when most Wall Street and Washington analysts were still in denial. Smith has always had a feeling for outsiders in films like “American Movie” and “American Job.” In “Collapse,” Smith stylistically departs from his past films by interviewing Ruppert in a format that recalls the work of Errol Morris and Spalding Gray. Sitting in a room that looks like a bunker, Ruppert recounts his career as a radical thinker and spells out the crises he sees ahead. He draws upon the same news reports and data available to any Internet user, but he applies a unique interpretation. He is especially passionate over the issue of “peak oil,” the concern raised by scientists since the 1970s that the world will eventually run out of fossil fuel. While other experts debate this issue in measured tones, Ruppert doesn’t hold back at sounding an alarm. He portrays a future that resembles apocalyptic science fiction. Listening to his rapid flow of opinions, the viewer is likely to question some of the rhetoric as paranoid or deluded; and to sway back and forth on what to make of the extremism. Smith lets viewers form their own judgments. (Source)
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