Angela Ismailos’ GREAT DIRECTORS, is a celebration of films and filmmaking starring ten of the worlds most acclaimed, provocative, and individualistic living directors. The documentary, which had its world premiere at the 2009 Venice Film Festival, is a deeply personal and intimate look at the art of cinema and the artists who create it, and features original, in—depth conversations with world—class filmmakers Bernardo Bertolucci, David Lynch, Stephen Frears, Agnes Varda, Ken Loach, Liliana Cavani, Todd Haynes, Catherine Breillat, Richard Linklater and John Sayles. These interviews more than just chronicle Ismailos’ encounters with ten remarkable men and women. Extensively illuminated by clips and historical archives from the subjects’ works, they also reveal the distinctive personalities who created the timeless images that have long inspired Ismailos—and all of us. Intercutting among the filmmakers in a freely associative way, Ismailos explores each director’s artistic evolution; the role of politics and history on their work; their feelings about the other great directors who inspired them (with Bertolucci paying homage to Pasolini, Breillat to Bergman, and Haynes to Fassbinder, etc.); and the agony and ecstasy of being an artist in a medium that is, paradoxically, also an industry. (Source)
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When Pat Tillman gave up his professional football career to join the Army Rangers in 2002, he became an instant symbol of patriotic fervor and unflinching duty. But the truth about Pat Tillman is far more complex, and ultimately far more heroic, then the caricature. And when the government tried to turn his death into propaganda, they took on the wrong family. From her home in Northern California, Pat’s mother, Dannie Tillman, led the family’s crusade to reveal the truth beneath the mythology of their son’s life and death. THE TILLMAN STORY resounds with emotion and insight, and goes beyond an indictment of the government to touch on themes as timeless as the notion of heroism itself. (
Centered on a rare interview that director and friend Tamra Davis shot with Basquiat over twenty years ago, this definitive documentary chronicles the meteoric rise and fall of the young artist. In the crime ridden NYC of the 1970s, he covers the city with the graffiti tag SAMO. In 1981 he puts paint on canvas for the first time, and by 1983 he is an artist with “rock star status.” He achieves critical and commercial success, though he is constantly confronted by racism from his peers. In 1985 he and Andy Warhol become close friends and painting collaborators, but they part ways and Warhol dies suddenly in 1987. Basquiat’s heroin addiction worsens, and he dies of an overdose in 1988 at the age of 27. The artist was 25 years old at the height of his career, and today his canvases sell for more than a million dollars. With compassion and psychological insight, Tamra Davis details the mysteries that surround this charismatic young man, an artist of enormous talent whose fortunes mirrored the rollercoaster quality of the downtown scene he seemed to embody. (
Every February competitive grocery baggers from across the country meet in Las Vegas to vie for the title of National Best Bagger. “Ready, Set, Bag!” explores the lives of eight state champions, following these delightfully fun, quintessentially American characters from local contests to their moment on the national stage. (
Jack Rebney is the most famous man you’ve never heard of — an RV salesman whose hilarious, foul-mouthed outbursts circulated underground on VHS tapes in the 90s before turning into a full-blown Internet phenomenon, seen by more than 20 million people worldwide. Filmmaker Ben Steinbauer goes in search of Rebney — and finds him living alone on a mountain top, unaware of his fame. WINNEBAGO MAN is a laugh-out-loud look at viral culture and an unexpectedly poignant tale of one man’s response to unintended celebrity. (
At the end of WWII, 60 minutes of raw film, having sat undisturbed in an East German archive, was discovered. Shot by the Nazis in Warsaw in May 1942, and labeled simply “Ghetto,” this footage quickly became a resource for historians seeking an authentic record of the Warsaw Ghetto. However, the later discovery of a long-missing reel, inclusive of multiple takes and cameraman staging scenes, complicated earlier readings of the footage. A FILM UNFINISHED presents the raw footage in its entirety, carefully noting fictionalized sequences (including a staged dinner party) falsely showing “the good life” enjoyed by Jewish urbanites, and probes deep into the making of a now-infamous Nazi propaganda film. A FILM UNFINISHED is a film of enormous import, documenting some of the worst horrors of our time and exposing the efforts of its perpetrators to propel their agenda and cast it in a favorable light. (
There’s a revolution underway in South America, but most of the world doesn’t know it. Oliver Stone sets out on a road trip across five countries to explore the social and political movements as well as the mainstream media’s misperception of South America while interviewing seven of its elected presidents. In casual conversations with Presidents Hugo Chávez (Venezuela), Evo Morales (Bolivia), Lula da Silva (Brazil), Cristina Kirchner (Argentina), as well as her husband and ex-President Néstor Kirchner, Fernando Lugo (Paraguay), Rafael Correa (Ecuador), and Raúl Castro (Cuba), Stone gains unprecedented access and sheds new light upon the exciting transformations in the region. (
Pat Tillman decided to leave a multimillion-dollar professional football contract and join the military because he felt it was the right thing to do. When he died in a friendly-fire incident in Afghanistan in 2004, the military is shown to have manipulated his tragic death in the line of duty into a glorifying propaganda tool. (
Exposes the private dramas of comedian and pop icon Joan Rivers as she fights tooth and nail to keep her American dream alive. A unique look inside America’s obsession with fame and celebrity – Joan’s story is both an outrageously funny journey and a brutally honest look at the ruthless entertainment industry, the trappings of success and the ultimate vulnerability of the first queen of comedy. With unprecedented, unguarded access, the film takes the audience on a year long ride with Joan Rivers in her 76th year of life; it peels away the mask of an iconic comedian, laying bare both the struggle and thrill of living life as a groundbreaking female performer. (