“2012: Time for Change” presents an optimistic alternative to apocalyptical doom and gloom. Directed by Emmy Award nominee Joa (Source)
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2012: Time For Change (Trailer)
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Category Archives: Documentary
Cool It (Trailer)
Climate catastrophe? The end of civilization as we know it? COOL IT is based upon the book of the same name and lectures by Bjorn Lomborg, the controversial author of The Skeptical Environmentalist. Award-winning filmmaker Ondi Timoner travels the world with Lomborg exploring the real facts and true science of global warming and its impact. Lomborg is the founder and director of the Copenhagen Consensus Center, a globally respected think tank that brings together the world’s leading economists to prioritize major global problems — among them malaria, the lack of potable water and HIV/AIDS — based upon a cost/benefit analysis of available solutions. Amidst the strong and polarized opinions within the global warming debate, COOL IT follows Lomborg on his mission to bring the smartest solutions to climate change, environmental pollution, and other major problems in the world. (Source)
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Jackass 3D (Jet Ski)
The JACKASS pranksters are at it again in this third outing, presented for the first time in 3D — an effect that will no doubt redefine the use of the in-your-face technology. Once again Jeff Tremaine returns to direct the MTV Films/Paramount Pictures production. (Source)
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Jackass 3D (Duck Hunting)
The JACKASS pranksters are at it again in this third outing, presented for the first time in 3D — an effect that will no doubt redefine the use of the in-your-face technology. Once again Jeff Tremaine returns to direct the MTV Films/Paramount Pictures production. (Source)
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Jackass 3D (Master Blaster)
The JACKASS pranksters are at it again in this third outing, presented for the first time in 3D — an effect that will no doubt redefine the use of the in-your-face technology. Once again Jeff Tremaine returns to direct the MTV Films/Paramount Pictures production. (Source)
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Marwencol (Trailers)
When Mark Hogancamp emerged from his coma, following a vicious attack, he had little memory of his previous life. Seeking solace, Mark built ‘Marwencol,’ an incredible 1/6th scale World War II-era town in his backyard. He populated the town with dolls and toy soldiers representing his friends, family, even his attackers, and created life-like photographs detailing the town’s many relationships and intrigues. Through Mark’s lens, these were no longer dolls – they became living, breathing characters in an epic WWII story full of violence, jealousy, longing and revenge. When the photos are discovered by an art magazine, and a prestigious gallery comes calling, Mark is suddenly forced to make a choice between the safety of his fictional town and the real world beyond it. (Source)
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I Want Your Money (Trailer 2)
Set against the backdrop of today’s headline – 67% of Americans don’t approve of Obama’s economic policies, the film takes a provocative look at our deeply depressed economy using the words and actions of Presidents Reagan and Obama and shows the marked contrast between Reaganomics and Obamanomics. The film contrasts two views of the role that the federal government should play in our daily lives using the words and actions of Ronald Reagan and Barack Obama. Two versions of the American dream now stand in sharp contrast. One views the money you earned as yours and best allocated by you; the other believes that the elite in Washington know how to best allocate your wealth. One champions the traditional American dream, which has played out millions of times through generations of Americans, of improving one's lot in life and even daring to dream and build big. The other holds that there is no end to the “good” the government can do by taking and spending other peoples' money in an ever-burgeoning list of programs. The documentary film I Want Your Money exposes the high cost in lost freedom and in lost opportunity to support a Leviathan-like bureaucratic state. (Source)
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Strange Powers: Stephin Merritt and The Magnetic Fields (Trailer No. 1)
With his unique gift for memorable melodies, lovelorn lyrics and wry musical stylings that blend classic Tin Pan Alley with modern sounds, Stephin Merritt has distinguished himself as one of contemporary pop’s most beloved and influential artists. Both a prolific recording artist and composer of theater and film scores, he performs most famously as the Magnetic Fields, whose 1999 three-disc opus 69 Love Songs is widely considered a masterpiece of traditional songcraft and irresistible synthpop.
Ten years in the making, ‘Strange Powers’ explores Merritt’s songwriting and recording process, and focuses on his relationships with his bandmates and longtime manager Claudia Gonson, revealing an artist who has produced one of the most engaging and confounding bodies of work in the contemporary American songbook. (Source)
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Inside Job (Clip)
From Academy Award® nominated filmmaker, Charles Ferguson (“No End In Sight”), comes INSIDE JOB, the first film to expose the shocking truth behind the economic crisis of 2008. The global financial meltdown, at a cost of over $20 trillion, resulted in millions of people losing their homes and jobs. Through extensive research and interviews with major financial insiders, politicians and journalists, INSIDE JOB traces the rise of a rogue industry and unveils the corrosive relationships which have corrupted politics, regulation and academia. Narrated by Academy Award® winner Matt Damon, INSIDE JOB was made on location in the United States, Iceland, England, France, Singapore, and China. (Source)
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S&Man (Theatrical Trailer)
Examines the classic comparison between filmmaking and voyeurism, particularly within the seedy underground genre of fetish films. The most notorious of these is a series titled “S&Man,” where voyeurism takes center stage as people are unknowingly followed with a camera. Much of the footage included will shock and disturb even the most seasoned horror veteran. The question ultimately posed is whether or not the viewers’ interest in horror films is rooted in the same voyeuristic urge to which these fetish videos appeal. (Source)
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