TUCKER & DALE VS EVIL is a hilariously gory, good-spirited horror comedy, doing for killer rednecks what Shaun of the Dead did for zombies. Tucker and Dale are two best friends on vacation at their dilapidated mountain house, who are mistaken for murderous backwoods hillbillies by a group of obnoxious, preppy college kids. When one of the students gets separated from her friends, the boys try to lend a hand, but as the misunderstanding grows, so does the body count. TUCKER AND DALE VS EVIL has been a hit on the festival circuit, debuting at Sundance, and winning the Midnight Audience Award at SXSW, the Jury Prize for First Feature at Fantasia, the Best Director award at Fantaspoa, and the Best Motion Picture Award at Sitges. (Source)
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akashi, a Japanese hitman who wakes up from a four-year coma, moves to LA to escape mysterious traumatic memories. He strikes an unusual friendship with Blake, the hotel manager who still mourns the loss of his wife to an affair he ended up regretting. Meanwhile, Julio, an illegal immigrant who works at an Indian restaurant to provide for his wife and kid back in Mexico, befriends Guy, a young British backpacker who lives off his estranged father’s ATM card and sleeps with any girl who crosses his path. The film intercuts between the blossoming of these two friendships. Takashi attempts to help Blake break from his past, but in the process is forced to confront his own violent memories. Julio and Guy hustle for day to day survival and forge dreams of a better future, but after Julio steals Guy’s passport and sells it for a grand, not only is their friendship at stake but also their lives. What follows are the at times wild and often gut-wrenching adventures of four men trying to survive both emotionally and physically. (Source)
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Sympathy for Delicious marks acclaimed actor Mark Ruffalo’s first foray into directing. This inspired and unusual film tells the story of Dean O’Dwyer (Christopher Thornton), also known as “Delicious D,” an up-and-coming DJ on the underground music scene in Los Angeles. When a motorcycle accident leaves Dean paralyzed, he abandons his turntables for a wheelchair as his once promising career disappears before his eyes. Forced to live out of his car on skid row, Dean begins his descent into depression when he meets Father Joe Roselli (Mark Ruffalo), a passionate young priest. Father Joe introduces Dean to the world of faith-healing, an unlikely way for him to begin his quest to walk again. He soon discovers that he possesses the otherworldly power to heal people, but in an odd twist of fate, he is utterly unable to heal himself. Despite Father Joe’s warnings, Dean angrily decides to use his newfound gift for fame and fortune. He joins a rock band led by charismatic front man The Stain (Orlando Bloom) with bassist Ariel (Juliette Lewis), and manager Nina Hogue (Laura Linney). But his newfound notoriety is unable to cure the hurt that encompasses his life. To find true healing, Dean must ultimately confront his worst demons and come to terms with his own humanity. (Source)
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In 1987, Eddie and Mitch moved into a low-rent apartment in San Francisco where, through paper-thin walls, they were informally introduced to their middle-aged alcoholic neighbors, Raymond (a raging homophobe) and Peter (a flamboyant gay man). For 18 months, they hung a microphone from their kitchen window to chronicle the bizarre relationship between their borderline-insane neighbors, accidentally creating one of the world’s first “viral” counter-culture sensations on the underground tape market. Revisiting these events through interviews and reenactments with the key players in the phenomenon’s development, director Matthew Bate has concocted a darkly comic exploration into the blurred boundaries between art and exploitation. (Source)
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Anita is the story of a young woman with Down syndrome (Alejandra Manzo) who lives a happy, routine life in Buenos Aires, being meticulously cared for by her mother Dora (Academy Award nominee Norma Aleandro). One tragic morning in 1994, everything changes when Anita is left alone, confused and helpless after the nearby Argentine Israelite Mutual Association is bombed (the deadliest bombing in Argentina’s history). As Anita wanders through the city, she learns not only to care for herself, but touches the lives of those around her, from an alcoholic to a family of Asian immigrants. Anita is the latest from renowned filmmaker Marcos Carnevale, director of “Elsa & Fred”. (Source)
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1944. As the war in Europe continues to take its toll on Allied forces, the Pentagon brass has no recourse but to consider unorthodox options – including the untried and untested African-American pilots of the experimental Tuskegee training program. Just as the young Tuskegee men are on the brink of being shut down and shipped back home, they are given the ultimate chance to show their courage. Against all the odds, with something to prove and everything to lose, these intrepid young airmen take to the skies to fight for their country – and the fate of the free world. (Source)
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A love story is both a physical and emotional tale, one that can be deeply personal and heartbreaking for an audience to experience. Director Drake Doremus’ film Like Crazy beautifully illustrates how your first real love is as thrilling and blissful as it is devastating. When a British college student (Felicity Jones) falls for her American classmate (Anton Yelchin) they embark on a passionate and life-changing journey only to be separated when she violates the terms of her visa.Like Crazy explores how a couple faces the real challenges of being together and of being apart. Winner of the Grand Jury Prize for Best Picture at the 2011 Sundance Film Festival and of the Special Jury Prize for Best Actress for Felicity Jones, Like Crazydepicts both the hopefulness and the heartbreak of love. (Source)
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Before his compulsory retirement, a JFK airport’s chief Immigration officer, detains a group of Latin Americans and expose them to a series of humiliating situations. (
This movie does not have a plot (