Pearl Jam Twenty chronicles the years leading up to the band’s formation, the chaos that ensued soon-after their rise to megastardom, their step back from center stage, and the creation of a trusted circle that would surround them-giving way to a work culture that would sustain them. Told in big themes and bold colors with blistering sound, the film is carved from over 1,200 hours of rarely-seen and never-before seen footage spanning the band’s career. Pearl Jam Twenty is the definitive portrait of Pearl Jam: part concert film, part intimate insider-hang, part testimonial to the power of music and uncompromising artists. (Source)
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Inspired by the beloved New York Times bestseller, The Elegance of the Hedgehog, by Muriel Barbery, THE HEDGEHOG is the timely story of Paloma (Garance Le Guillermic) a young girl bent on ending it all on her upcoming twelfth birthday. Using her father’s old camcorder to chronicle the hypocrisy she sees in adults, Paloma begins to learn about life from the grumpy building concierge, Renee Michel (FRENCH TWIST’s Josiane Balasko). When Paloma’s camera reveals the extensive secret library in Renee’s back room, and that the often gruff matron reads Tolstoy to her cat, Paloma begins to understand that there are allies to be found beneath the prickliest of exteriors. As the unlikely friendship deepens, Paloma’s own coming of age becomes a much less pessimistic prospect. (
A down-and-out law student sues Satan for $8 trillion dollars. Satan appears to defend himself and the trial of the century takes place. (
Best friends Woodrow and Aiden spend all of their free time building MAD MAX-inspired flamethrowers and muscle cars in preparation for a global apocalypse. But when Woodrow meets a charismatic young woman and falls hard in love, he and Aiden quickly integrate into a new group of friends, setting off on a journey of love and hate, betrayal, infidelity, and extreme violence more devastating and fiery than any of their apocalyptic fantasies. (
A new breed of crime-fighter now stalks the urban landscape: the anti-graffiti vigilante. These dedicated blight warriors stop at nothing to rid their neighborhoods and cities of street art, stickers, tags, and posters. Yet several of these vigilantes have become the very menace they set out to eliminate. In their relentless attempt to stamp out graffiti, they have turned to illegally and destructively painting other people’s property. VIGILANTE VIGILANTE is the story of two filmmakers who set out to expose these mysterious characters and discover a battle of expression that stretches from the streets to academia. (
THE HARVEST/LA COSECHA is the story of the children who work 12-14 hour days, 7 days a week to pick the food that we eat. These children are not toiling in the fields in some far away land. They are working here, in our back yard, in America.Every year more than 400,000 migrant child farmworkers in the US journey from their homes traveling from the scorching sun of the Texas onion fields to the winter snows of the Michigan apple orchards, from the heat of the Florida tomato fields to the damp cherry trees in Oregon. These children are American citizens. All are working to help their families survive while sacrificing the birthright of childhood: play; stability; school. The film profiles three of them as they work through the 2009-10 harvests. Whose families will be “lucky” enough to get work? Which families will be separated? Which will get sick or injured? Will there be enough work to sustain them? Will any manage to keep their dreams alive? The film follows these children as they follow the crops they harvest, their lives governed by climate, demand, trade, and the greater economy. The verite footage of the children and their year of toil is augmented by the children having the chance to speak for themselves about their lives. THE HARVEST/LA COSECHA boasts unparalleled access to life on these farms across the nation and gives us the opportunity to connect with these children who live these unthinkable lives to feed us, and more importantly to them, to feed their families and themselves. (
Jason Sudeikis is Eric, a thirtysomething party animal famous among his close circle of friends for his lavish summer theme parties at his father’s swanky Hamptons pad. But when members of the crew start settling down, and Eric’s dad announces plans to sell the beach house, Eric decides it’s time for one last bash to go out with a proverbial bang–a good old-fashioned orgy. The only obstacles to overcome are actually convincing each of his reluctant friends to join in on the bacchanal, and an inconveniently blossoming romance with the real estate agent threatening to sell the house out from under him before the main event can even take place. (
On the surface, Marissa Cortez Wilson (Jessica Alba) has it all…married to a famous spy hunting television reporter, a new baby and intelligent twin step kids. But in reality, trying to mother Rebecca (Rowan Blanchard) and Cecil (Mason Cook), who clearly don’t want her around, is her toughest challenge yet. Also, her husband, Wilbur (Joel McHale), wouldn’t know a spy if he lived with one which is exactly the case – Marissa’s a retired secret agent. Marissa’s world is turned upside down when the maniacal Timekeeper (Jeremy Piven) threatens to take over the planet and she’s called back into action by the head of OSS, home of the greatest spies and where the now-defunct Spy Kids division was created. With Armageddon quickly approaching, Rebecca and Cecil are thrust into action when they learn their boring stepmom was once a top agent and now the world’s most competitive ten year olds are forced to put their bickering aside and rely on their wits. With a little help from a couple of very familiar Spy Kids, Carmen (Alexa Vega) and Juni Cortez (Daryl Sabara), and some mind-blowing gadgets, they just may be able to save the world and possibly bring their family together while they’re at it. (
Sarah Jessica Parker, Greg Kinnear, Pierce Brosnan, Olivia Munn, and Christina Hendricks star in I Don’t Know How She Does It, a comedy from director Douglas McGrath (Emma, Infamous) and producer Donna Gigliotti (The Reader, Let Me In). Based on the critically acclaimed bestseller by Allison Pearson, I Don’t Know How She Does It follows a Boston-based working mother trying desperately to juggle marriage, children, and a high-stress job. Kate Reddy (Parker) devotes her days to her job with a Boston-based financial management firm. At night she goes home to her adoring, recently-downsized architect husband Richard (Kinnear) and their two young children. It’s a non-stop balancing act, the same one that Kate’s acerbic best friend and fellow working mother Allison (Christina Hendricks) performs on a daily basis, and that Kate’s super-brainy, child-phobic young junior associate Momo (Olivia Munn) fully intends to avoid. When Kate gets handed a major new account that will require frequent trips to New York, Richard also wins the new job he’s been hoping for–and both will be spreading themselves even thinner. Complicating matters is Kate’s charming new business associate Jack Abelhammer (Brosnan), who begins to prove an unexpected source of temptation. (
From Joe Swanberg (ALEXANDER THE LAST, HANNAH TAKES THE STAIRS) and co-director Adam Wingard, AUTOEROTIC follows four interconnected Chicago couples as they explore the boundaries of self-pleasure and sexual exploration. Through a unique blend of outrageous comedy and in-your-face sex, AUTOEROTIC insightfully illuminates the private sexual lives of America’s urbanites. (