The Scream franchise returns from the dead in Wes Craven’s fourth entry of the Dimension Films slasher series. Neve Campbell, David Arquette, and Courteney Cox Arquette return to their iconic roles dating back to the original breakthrough film in 1996, with Hayden Panettiere, Emma Roberts, and Rory Culkin rounding out the cast. – Jeremy Wheeler, Rovi (Source)
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Actor Josh Radnor makes his debut as a writer and director with this independent comedy-drama in which a handful of people riding the gap between their late twenties and early thirties navigate the sometimes tricky path of adulthood in New York City. Sam (Radnor) is a struggling writer who has trouble with long-term relationships; one day while on the subway, he meets Rasheen (Michael Algieri), a young boy who has been abandoned by his parents. Sam takes the boy in, which gives him a preview of parenthood but also proves to be more complicated than he expected. Sam is infatuated with Mississippi (Kate Mara), a bartender with a dream of making it a musician; tired of one night stands, she agrees to move in with Sam for a few days to see how she feels about a “real” relationship, but Rasheen’s presence makes things awkward. Another of Sam’s sometime girlfriends is Annie (Malin Akerman), who suffers from a rare medical condition that prevents her from having any hair. Through she’s beautiful, Annie’s lack of hair has caused her to have a dire self-image and she jumps from one relationship to another with a handful of men, some of whom treat her poorly. And Mary Catherine (Zoe Kazan) and Charlie (Pablo Schreiber) are a couple whose relationship is teetering on the brink as he considers a lucrative job offer in Los Angeles while she refuses to budge. Happythankyoumoreplease received its world premiere at the 2010 Sundance Film Festival, where it received the audience award for best dramatic feature. – Mark Deming, Rovi (Source)
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The old saying about “this is where the rubber meets the road” takes on a new and sinister meaning in this black comedy from filmmaker Quentin Dupieux. An old tire appears in a California desert, and under its own power it begins rolling down the road, stopping and starting as it pleases. The notion that the tire can operate under its own power isn’t half as remarkable as its other talent — the tire has telekinetic abilities and can make things explode at will, including human heads. The evil tire goes on a killing spree after its affections for a beautiful woman (Roxanne Mesquida) are thwarted, and local lawman Lt. Chad (Stephen Spinella) steps forward to investigate. Meanwhile, a handful of people aware of the tire and its actions are watching it from a safe distance until they’re poisoned by a mysterious villain; one of them (Wings Hauser) manages to survive, and is looking for some revenge of his own. Rubber was an official selection at the 2010 Cannes Film Festival. – Mark Deming, Rovi (Source)
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Jess, age 18 (Sarah Hagan) and Moss, age 12 (Austin Vickers) are second cousins in the dark-fire tobacco fields of rural Western Kentucky. Without immediate families that they can relate to, and lacking friends their own age, they only have each other. Over the course of a summer they venture on a journey exploring deep secrets and hopes of a future while being confronted with fears of isolation, abandonment and an unknown tomorrow.
Through a series of memories and vignettes, Director Clay Jeter creates a lyrical tale of two solitary, playful and young souls in JESS + MOSS. Jeter delicately imposes a complex assemblage of ways of looking and listening – planes of focus, select pieces of music, and expert sound engineering call attention to cryptic, but suggestive details. The film creates a world where mundane elements swell to bursting and demonstrate the power of cinema to capture the sensation of memory; the beautiful and tragic feeling of the fleeting; and the preciousness of youth and all of its disasters. (Source)
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Bill Nighy is Victor Maynard, a middle-aged, solitary assassin, who lives to please his formidable Mother (Eileen Atkins), despite his own peerless reputation for lethal efficiency. His professional routine is interrupted when he finds himself drawn to one of his intended victims, Rose (Emily Blunt). He spares her life, unexpectedly acquiring in the process a young apprentice, Tony (Rupert Grint). Believing Victor to be a private detective, his two new companions tag along, while he attempts to thwart the murderous attentions of his unhappy client (Rupert Everett). (Source)
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Skateland closes down in 1983 forcing Ritchie to find another job. His parents are getting divorce, and virtually every other relationship in his life is a mess, and he must make adult decisions for the first time in his life and finally grow up. (Source)
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Robert, an inanimate tire that has been abandoned in the desert, suddenly and inexplicably comes to life. As Robert roams the bleak landscape, he discovers that he possesses terrifying telepathic powers that give him the ability to destroy anything he wishes without having to move. At first content to prey on small desert creatures and various discarded objects, his attention soon turns to humans, especially a beautiful and mysterious woman who cross his path. Leaving a swath of destruction across the desert landscape, Robert becomes a chaotic force to be reckoned with. (Source)
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College freshman Adam Buckley sits blindfolded in the back of a van outside of a convenience store as the final step of his initiation into the Sigma Zeta Chi fraternity. Minutes later he finds himself dealing with the fact that a fellow-pledge just got shot while doing it. Frank, the senior fraternity brother in charge of the night’s events, is able to get the injured pledge out of the store alive, but the fraternity’s troubles are just beginning. Thinking they can get out of the situation without taking the pledge to a hospital, Frank decides the group will handle things themselves. But when every move is met with disaster, Adam must find it within himself to go against Frank and his new brothers in order to save his friend’s life. (Source)
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After the death of his professional mentor, a small-town, shy, naive Wisconsin insurance agent must represent his company at a regional insurance convention in Cedar Rapids, Iowa, where his mind is blown by the big city experience. (