RUBBER is the story of Robert, an inanimate tire that has been abandoned in the desert, and suddenly and inexplicably comes to life. As Robert roams the bleak landscape, he discovers that he possesses terrifying telepathic powers that give him the ability to destroy anything he wishes without having to move. At first content to prey on small desert creatures and various discarded objects, his attention soon turns to humans, especially a beautiful and mysterious woman who crosses his path. Leaving a swath of destruction across the desert landscape, Robert becomes a chaotic force to be reckoned with, and truly a movie villain for the ages. Directed by legendary electro musician Quentin Dupieux (Steak, Nonfilm), aka Mr. Oizo, RUBBER is a smart, funny and wholly original tribute to the cinematic concept of no reason. (Source)
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Smith is an ambisexual 18-year-old college freshman who stumbles upon a monstrous conspiracy in a seemingly idyllic Southern California seaside town. (
Robert, an inanimate tire that has been abandoned in the desert, suddenly and inexplicably comes to life. As Robert roams the bleak landscape, he discovers that he possesses terrifying telepathic powers that give him the ability to destroy anything he wishes without having to move. At first content to prey on small desert creatures and various discarded objects, his attention soon turns to humans, especially a beautiful and mysterious woman who cross his path. Leaving a swath of destruction across the desert landscape, Robert becomes a chaotic force to be reckoned with. (
Indie veteran Gregg Araki returns to the spotlight with KABOOM, a hyper-stylized Twin Peaks for the Coachella Generation, featuring a gorgeous, super-hot young cast. The film is a wild, sex-drenched, comical thriller that tells the story of Smith, an ambisexual 18-year-old college freshman who stumbles upon a monstrous conspiracy in a seemingly idyllic Southern California seaside town. KABOOM will make its US premiere at this year’s Sundance Film Festival and is writer/director Araki’s eighth film there since his breakthrough The Living End, including The Doom Generation to his masterpiece Mysterious Skin. The film stars Thomas Dekker, Juno Temple, Haley Bennett, Chris Zylka, Roxane Mesquida, Andy Fischer-Price, James Duval and Kelly Lynch. (
THE LAST MISTRESS marks the monumental pairing of cinema’s premiere provocateur, director Catherine Breillat (ROMANCE, FAT GIRL) with the most fearless and explosive actor of our generation, Asia Argento (MARIE ANTOINETTE, BOARDING GATE). A penniless rogue, Ryno de Marigny (newcomer Fu-ad Aît Aattou), shocks 19th century France with his engagement to the virginal gem of the aristocracy, Hermangarde (Roxane Mesquida of FAT GIRL). As lurid speculations of Ryno’s ten year affair with the carnal Vellini (Argento) manifest, a supremely erotic and wickedly humorous depiction of human lust is revealed – overriding the brittle facade of nobility and reverence. Bolstered by Breillat’s mastery of the medium and Argento’s commanding performance, THE LAST MISTRESS is a highly entertaining yet incredibly provocative film that has resulted in unanimous praise from audiences and critics across the world. (
A man is torn between two women–one demonic, one angelic. The young and dissolute Ryno de Marigny is betrothed to marry Hermangarde, a virtuous gem of the French aristocracy. But some, who wish the union not to occur, whisper that the young man will never break off his affair with Vellini, which has been going on for years. In a swril of confidences, betrayals and secrets, feelings will prove their strength to be invincible. (